“I Want to Depatriarchalize my Bookshelf” or the Theatrical Aesthetics in María Velasco’s Dramaturgy
In this article, two theatrical works by one of the most recognized contemporary Spanish playwrights, María Velasco, Líbrate de las cosas hermosas que te deseo (2015) and Talaré a los hombres de sobre la faz de la tierra, both premiered and applauded by theater critics, as well as awarded, will be a...
| Author: | |
|---|---|
| Format: | article |
| Status: | Published version |
| Publication Date: | 2024 |
| Country: | Perú |
| Institution: | Pontificia Universidad Católica del Perú |
| Repository: | Revistas - Pontificia Universidad Católica del Perú |
| Language: | Spanish |
| OAI Identifier: | oai:ojs.pkp.sfu.ca:article/26803 |
| Online Access: | http://revistas.pucp.edu.pe/index.php/kaylla/article/view/26803 |
| Access Level: | Open access |
| Keyword: | Teatro Dramaturgia Cuerpo Poesía Performance Perfopoesía Theater Playwriting Body Poetry Perfopoetry Corpo Poesia Perfopoesia |
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“I Want to Depatriarchalize my Bookshelf” or the Theatrical Aesthetics in María Velasco’s Dramaturgy “Quiero despatriarcalizar mi estantería” o la estética teatral en la dramaturgia de María Velasco “Quero Despatriarcalizar Minha Estante” ou a Estética Teatral na Dramaturgia de María Velasco |
| title |
“I Want to Depatriarchalize my Bookshelf” or the Theatrical Aesthetics in María Velasco’s Dramaturgy |
| spellingShingle |
“I Want to Depatriarchalize my Bookshelf” or the Theatrical Aesthetics in María Velasco’s Dramaturgy Hernández Pérez, Markel Teatro Dramaturgia Cuerpo Poesía Performance Perfopoesía Theater Playwriting Body Poetry Performance Perfopoetry Teatro Dramaturgia Corpo Poesia Performance Perfopoesia |
| title_short |
“I Want to Depatriarchalize my Bookshelf” or the Theatrical Aesthetics in María Velasco’s Dramaturgy |
| title_full |
“I Want to Depatriarchalize my Bookshelf” or the Theatrical Aesthetics in María Velasco’s Dramaturgy |
| title_fullStr |
“I Want to Depatriarchalize my Bookshelf” or the Theatrical Aesthetics in María Velasco’s Dramaturgy |
| title_full_unstemmed |
“I Want to Depatriarchalize my Bookshelf” or the Theatrical Aesthetics in María Velasco’s Dramaturgy |
| title_sort |
“I Want to Depatriarchalize my Bookshelf” or the Theatrical Aesthetics in María Velasco’s Dramaturgy |
| dc.creator.none.fl_str_mv |
Hernández Pérez, Markel |
| author |
Hernández Pérez, Markel |
| author_facet |
Hernández Pérez, Markel |
| author_role |
author |
| dc.subject.none.fl_str_mv |
Teatro Dramaturgia Cuerpo Poesía Performance Perfopoesía Theater Playwriting Body Poetry Performance Perfopoetry Teatro Dramaturgia Corpo Poesia Performance Perfopoesia |
| topic |
Teatro Dramaturgia Cuerpo Poesía Performance Perfopoesía Theater Playwriting Body Poetry Performance Perfopoetry Teatro Dramaturgia Corpo Poesia Performance Perfopoesia |
| description |
In this article, two theatrical works by one of the most recognized contemporary Spanish playwrights, María Velasco, Líbrate de las cosas hermosas que te deseo (2015) and Talaré a los hombres de sobre la faz de la tierra, both premiered and applauded by theater critics, as well as awarded, will be analyzed. The point of convergence of these two works is found in their performative aesthetic and the political and poetic perspective with which they portray the situation of their protagonists. Both dramatic proposals have an innovative and contemporary scenic aesthetic, so we will approach them through the paradigm of performative theater, liminal theater, and perfopoetry, since both are an artistic object that escapes reductionist interpretations due to their multidimensional nature. However, it will be verified that the purpose of the pieces is to portray a political structure, without any of them renouncing the use of a wide range of dramatic possibilities proposed from the text, stage directions, and the corresponding scenic proposal. |
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2024 |
| dc.date.none.fl_str_mv |
2024-11-14 |
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info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Artículo evaluado por pares |
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article |
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publishedVersion |
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http://revistas.pucp.edu.pe/index.php/kaylla/article/view/26803 |
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http://revistas.pucp.edu.pe/index.php/kaylla/article/view/26803 |
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spa |
| language |
spa |
| dc.relation.none.fl_str_mv |
http://revistas.pucp.edu.pe/index.php/kaylla/article/view/26803/26879 http://revistas.pucp.edu.pe/index.php/kaylla/article/view/26803/26936 |
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Derechos de autor 2024 http://creativecommons.org/licenses/by/4.0 info:eu-repo/semantics/openAccess |
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Derechos de autor 2024 http://creativecommons.org/licenses/by/4.0 |
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openAccess |
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application/pdf application/epub+zip |
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Departamento Académico de Artes Escénicas |
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Departamento Académico de Artes Escénicas |
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Kaylla Journal of Performing Arts; No. 3 (2024): Kaylla N°3 – Staging Temporalities; 196-216 Revista Kaylla; Núm. 3 (2024): Kaylla N°3 – Temporalidades escénicas; 196-216 Revista Kaylla; n. 3 (2024): Kaylla N°3 – Temporalidades da cena; 196-216 2955-8697 reponame:Revistas - Pontificia Universidad Católica del Perú instname:Pontificia Universidad Católica del Perú instacron:PUCP |
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Pontificia Universidad Católica del Perú |
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PUCP |
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PUCP |
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Revistas - Pontificia Universidad Católica del Perú |
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Revistas - Pontificia Universidad Católica del Perú |
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1863012941523058688 |
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“I Want to Depatriarchalize my Bookshelf” or the Theatrical Aesthetics in María Velasco’s Dramaturgy“Quiero despatriarcalizar mi estantería” o la estética teatral en la dramaturgia de María Velasco“Quero Despatriarcalizar Minha Estante” ou a Estética Teatral na Dramaturgia de María VelascoHernández Pérez, MarkelTeatroDramaturgiaCuerpoPoesíaPerformancePerfopoesíaTheaterPlaywritingBodyPoetryPerformancePerfopoetryTeatroDramaturgiaCorpoPoesiaPerformancePerfopoesiaIn this article, two theatrical works by one of the most recognized contemporary Spanish playwrights, María Velasco, Líbrate de las cosas hermosas que te deseo (2015) and Talaré a los hombres de sobre la faz de la tierra, both premiered and applauded by theater critics, as well as awarded, will be analyzed. The point of convergence of these two works is found in their performative aesthetic and the political and poetic perspective with which they portray the situation of their protagonists. Both dramatic proposals have an innovative and contemporary scenic aesthetic, so we will approach them through the paradigm of performative theater, liminal theater, and perfopoetry, since both are an artistic object that escapes reductionist interpretations due to their multidimensional nature. However, it will be verified that the purpose of the pieces is to portray a political structure, without any of them renouncing the use of a wide range of dramatic possibilities proposed from the text, stage directions, and the corresponding scenic proposal.En el siguiente artículo, se analizarán dos de las obras teatrales de una de las dramaturgas españolas contemporáneas más reconocidas, María Velasco, Líbrate de las cosas hermosas que te deseo (2015) y Talaré a los hombres de sobre la faz de la tierra (2022), ambas estrenadas y aplaudidas por la crítica teatral, así como también galardonadas. El punto de convergencia de estas dos obras es una estética performativa de lo teatral y una mirada poética sobre la realidad de sus protagonistas. Ambas propuestas dramáticas tienen una estética escénica innovadora y contemporánea, por lo que nos acercaremos a ellas a través de los paradigmas del teatro performativo, el teatro liminal y la autoficción, en tanto que son obras que escapan de interpretaciones reduccionistas por tener una naturaleza pluridimensional. De este modo, se comprobará que la finalidad de las piezas es retratar una estructura política, sin que por ello se renuncie al uso de un amplio abanico de posibilidades dramáticas planteadas desde los textos, las acotaciones y la propuesta escénica consiguiente.Neste artigo, serão analisadas duas peças teatrais de uma das dramaturgas espanholas contemporâneas mais reconhecidas, María Velasco, Líbrate de las cosas hermosas que te deseo (2015) e Talaré a los hombres de sobre la faz de la tierra, ambas estreadas e aplaudidas pela crítica teatral, bem como também galardoadas. O ponto de convergência dessas duas obras encontra-se em sua estética performativa e na visão política e poética com a qual retratam a situação de seus protagonistas. Ambas propostas dramáticas têm uma estética cênica inovadora e contemporânea, por isso nos aproximaremos delas através dos paradigmas do teatro performativo, teatro liminal e perfopoesia, enquanto ambas são um objeto artístico que escapa de interpretações reducionistas por ter uma natureza pluridimensional. No entanto, será verificado que a finalidade das peças é retratar uma estrutura política, sem que nenhuma delas renuncie ao uso de uma ampla gama de possibilidades dramáticas propostas a partir do texto, acotações e a proposta cênica correspondente.Departamento Académico de Artes Escénicas2024-11-14info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionArtículo evaluado por paresapplication/pdfapplication/epub+ziphttp://revistas.pucp.edu.pe/index.php/kaylla/article/view/26803Kaylla Journal of Performing Arts; No. 3 (2024): Kaylla N°3 – Staging Temporalities; 196-216Revista Kaylla; Núm. 3 (2024): Kaylla N°3 – Temporalidades escénicas; 196-216Revista Kaylla; n. 3 (2024): Kaylla N°3 – Temporalidades da cena; 196-2162955-8697reponame:Revistas - Pontificia Universidad Católica del Perúinstname:Pontificia Universidad Católica del Perúinstacron:PUCPspahttp://revistas.pucp.edu.pe/index.php/kaylla/article/view/26803/26879http://revistas.pucp.edu.pe/index.php/kaylla/article/view/26803/26936Derechos de autor 2024 http://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessoai:ojs.pkp.sfu.ca:article/268032025-11-03T23:24:15Z |
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15,812455 |