Las fronteras del género: intermedialidad y performatividad en la poesía de Lola Nieto
[EN] The constant hybridizations and transfers between media have substantially conditioned the study of literature in the last years and have contributed to expanding its boundaries and its expectations. Thus, the consolidation of the performance as an influential modality has left its traces throu...
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| Tipo de recurso: | artículo |
| Fecha de publicación: | 2020 |
| País: | España |
| Institución: | Universitat Politècnica de València (UPV) |
| Repositorio: | RiuNet. Repositorio Institucional de la Universitat Politécnica de Valéncia |
| Idioma: | español |
| OAI Identifier: | oai:riunet.upv.es:10251/192178 |
| Acceso en línea: | https://riunet.upv.es/handle/10251/192178 |
| Access Level: | acceso abierto |
| Palabra clave: | Perfopoetry Performativity Intermediality Spanish contemporary poetry Perfopoesía Performatividad Intermedialidad Poesía española contemporánea |
| Sumario: | [EN] The constant hybridizations and transfers between media have substantially conditioned the study of literature in the last years and have contributed to expanding its boundaries and its expectations. Thus, the consolidation of the performance as an influential modality has left its traces throughout the media spectrum, significantly transforming the traditional understanding of genres and improving the mixture between diverse media systems. This is attested by the appearance of perfopoetry as an interstitial practice based on the ritual and spectacular nature of the poetic language and on the discomfort with the usual theoretical ways. In this regard, Lola Nieto s work constitutes a privileged place from which to think about these interactions between poetry and performance, and has become a fundamental proposal whose location always borders the limits of genre/gender, canon and territory. |
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