Didactismo, risa y casos novohispanos en La portentosa Vida de la Muerte (1792), novela de Joaquín Bolaños
In this article, we present a new interpretation of La portentosa Vida de la Muerte (1792), a text by the New Spanish author Joaquín Bolaños that has recently been brought back from obscurity. Our research is grounded in an aesthetic perspective that, drawing from Bakhtin and Beltrán, allows us to c...
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| Tipo de recurso: | artículo |
| Fecha de publicación: | 2025 |
| País: | Perú |
| Institución: | Pontificia Universidad Católica del Perú |
| Repositorio: | PUCP-Institucional |
| Idioma: | español |
| OAI Identifier: | oai:repositorio.pucp.edu.pe:20.500.14657/204034 |
| Acceso en línea: | https://revistas.pucp.edu.pe/index.php/lexis/article/view/31657/27784 http://hdl.handle.net/20.500.14657/204034 https://doi.org/10.18800/lexis.202501.014 |
| Access Level: | acceso abierto |
| Palabra clave: | La portentosa Vida de la Muerte Didactic novel Satire Cases Novela didáctica Sátira Casos https://purl.org/pe-repo/ocde/ford#6.02.06 |
| Sumario: | In this article, we present a new interpretation of La portentosa Vida de la Muerte (1792), a text by the New Spanish author Joaquín Bolaños that has recently been brought back from obscurity. Our research is grounded in an aesthetic perspective that, drawing from Bakhtin and Beltrán, allows us to classify the work as a didactic novel, thus resolving certain critical misunderstandings. Within the framework of didacticism, laughter functions as a form of censure against undesirable human behaviors. In addition to the already extensively studied modern satire, we introduce the presence of Menippean satire, which connects the novel to the realm of traditions. Finally, we examine the depiction of the New World in the novel through three cases that stand out for their detailed portrayal within an essentially allegorical narrative framework. |
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