Poesia cênica. A arte do ator no Teatro Épico-Dialético
This monographic case report seeks to make Bertholt Brecht's theatrical poetics known to those who do not know, and offer other perspectives to those who have already approached. Based on Massimo Castri, Bertholt Brecht, Luis de Tavira and the experience of some theatrical interpreters, the cha...
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| Tipo de recurso: | artículo |
| Estado: | Versión publicada |
| Fecha de publicación: | 2021 |
| País: | Perú |
| Institución: | Universidad Nacional del Centro de Perú |
| Repositorio: | Revistas - Universidad Nacional del Centro de Perú |
| Idioma: | español |
| OAI Identifier: | oai:revistas.uncp.edu.pe:article/893 |
| Acceso en línea: | https://revistas.uncp.edu.pe/index.php/horizontedelaciencia/article/view/893 |
| Access Level: | acceso abierto |
| Palabra clave: | Actor Brecht Teatro épico Epic Theater Ator teatro épico |
| Sumario: | This monographic case report seeks to make Bertholt Brecht's theatrical poetics known to those who do not know, and offer other perspectives to those who have already approached. Based on Massimo Castri, Bertholt Brecht, Luis de Tavira and the experience of some theatrical interpreters, the characteristics of the acting profile of epic-dialectical theater are analyzed and, from that perspective, the particular work of the National Theater Company (Mexico) in his staging of The Circle of Lime. This is how the work seeks to explain this theatricality to those who are not familiar with Brecht's theater and also to open other perspectives to its connoisseurs. |
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