Brecht e Aristóteles
The Bertold Brecht's conception of the theater is not radically opposed to that of Aristotle. Brechtian aesthetics is, in many aspects, heiress of Aristotle's ideas. The epic theater proposed by Brecht opposes naturalistic theater and psychological drama. Mimesis and catharsis don't m...
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| Tipo de recurso: | artículo |
| Estado: | Versión publicada |
| Fecha de publicación: | 2002 |
| País: | Brasil |
| Institución: | Universidade Estadual Paulista (UNESP) |
| Repositorio: | Repositório Institucional da UNESP |
| Idioma: | portugués |
| OAI Identifier: | oai:repositorio.unesp.br:11449/211286 |
| Acceso en línea: | http://dx.doi.org/10.1590/S0101-31732002000100005 http://hdl.handle.net/11449/211286 |
| Access Level: | acceso abierto |
| Palabra clave: | Epic theater dramatic theater Aristotle Brecht Teatro épico Teatro dramático Aristóteles |
| Sumario: | The Bertold Brecht's conception of the theater is not radically opposed to that of Aristotle. Brechtian aesthetics is, in many aspects, heiress of Aristotle's ideas. The epic theater proposed by Brecht opposes naturalistic theater and psychological drama. Mimesis and catharsis don't mean the identification of the public with the scene and the hero. |
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