From Expresivity to theatrality, Schönberg, Kurtag and others
This text is a reflection on the changes that vocal music has experienced during different periods of time, particularly the XXth century, departing from each author’s esthetics and throughout last century’s most influential works that are now a parameter for recent generations. Vocal music has evol...
| Autor: | |
|---|---|
| Tipo de recurso: | artículo |
| Estado: | Versión publicada |
| Fecha de publicación: | 2019 |
| País: | México |
| Institución: | UNIVERSIDAD AUTÓNOMA DEL ESTADO DE HIDALGO |
| Repositorio: | MAGOTZI Boletín Científico de Artes del IA |
| Idioma: | español |
| OAI Identifier: | oai:repository.uaeh.edu.mx:article/3808 |
| Acceso en línea: | https://repository.uaeh.edu.mx/revistas/index.php/ia/article/view/3808 |
| Access Level: | acceso abierto |
| Palabra clave: | expressivity gestures theatricality corporeality interdisciplinarity expresividad gestualidad teatralidad corporalidad e interdisciplanariedad |
| Sumario: | This text is a reflection on the changes that vocal music has experienced during different periods of time, particularly the XXth century, departing from each author’s esthetics and throughout last century’s most influential works that are now a parameter for recent generations. Vocal music has evolved from an excessive expression to a technical acquisition that nourished from the face gesture or was based on it to leave behind its limits. It is clear that there is a connection of music and theater, but not as a fusion as it is in recent examples, in the same discourse that goes beyond the musicality in poetry or the immanence characteristic of the rhythm of speech. |
|---|