From anti-theatricality to the contemporary stage: visions of the other in theatricality
From Plato to the present day, the theatricality has been questioned through trans-historical theoretical prisms, arbitrarily contested for philosophers, artists and art critics. From the perspective of the actor-director-spectator triad, the aim is to understand the nuances between that one and ant...
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| Tipo de recurso: | artículo |
| Estado: | Versión publicada |
| Fecha de publicación: | 2024 |
| País: | Brasil |
| Institución: | Universidade do Estado de Santa Catarina (UDESC) |
| Repositorio: | Urdimento (Online) |
| Idioma: | portugués |
| OAI Identifier: | oai::article/25462 |
| Acceso en línea: | https://www.revistas.udesc.br/index.php/urdimento/article/view/25462 |
| Access Level: | acceso abierto |
| Palabra clave: | teatralidade antiteatralidade outro visão corrente theatricality anti-theatricality other vision current teatralidad antiteatralidad otro visión corriente |
| Sumario: | From Plato to the present day, the theatricality has been questioned through trans-historical theoretical prisms, arbitrarily contested for philosophers, artists and art critics. From the perspective of the actor-director-spectator triad, the aim is to understand the nuances between that one and anti-theatricality, whose intentions are not expected to be separate, but rather a feedback that takes place between the contradictions of their similarities and differences in the theatre. The other – individual, current, time, vision, artifice - becomes a key element in bringing the production closer to the perception of theatricality on the contemporary stage, through its particularities in the collective between art and life. |
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