INTERSECTIONAL VIOLENCE IN THE BODIES-TERRITORIES OF MAPUCE WOMEN

Our objective is to characterize the body ontology of Mapuce indigenous women from the subject-subject epistemological scheme, typical of decolonial theories. In this aspect, we are interested in denaturalizing certain mechanisms of subalternization, as traces of coloniality, which continue to opera...

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Detalhes bibliográficos
Autor: Rodríguez Garat, Cintia Daniela
Tipo de documento: artigo
Estado:Versão publicada
Data de publicação:2023
País:México
Recursos:UNIVERSIDAD AUTÓNOMA DE YUCATÁN
Repositório:Antrópica. Revista de Ciencias Sociales y Humanidades
Idioma:espanhol
OAI Identifier:oai:ojs2.www.antropica.com.mx:article/411
Acesso em linha:https://antropica.com.mx/ojs2/index.php/AntropicaRCSH/article/view/411
Access Level:Acceso aberto
Palavra-chave:body ontology
intersectionality
precarious lives
Mapuce women
decolonial feminism
resilience
subalternization
decolonial theories
Mapuce indigenous women
interseccionality
performative memory of the body
ontología corporal
interseccionalidad
vidas precarizadas
mujeres mapuce
feminismo decolonial
resiliencia
subalternización
teorías decoloniales
mujeres indígenas mapuce
memoria performativa del cuerpo
Descrição
Resumo:Our objective is to characterize the body ontology of Mapuce indigenous women from the subject-subject epistemological scheme, typical of decolonial theories. In this aspect, we are interested in denaturalizing certain mechanisms of subalternization, as traces of coloniality, which continue to operate not only in the construction of meanings, but also as reproducers of the intersectional oppression that these women experience. Preliminarily, for this proposal, we will focus in the delimitation of the concept of intersectionality. Then, we will try to articulate, from a decolonial feminist approach, various narratives of these Mapuce women, linked to the precariousness of their lives and their health, as part of the violence instituted by the hegemonic culture. Finally, it is essential for us to highlight the resilience of subalternized cultures, as a horizontalized way of narrativizing a decolonial feeling from the performative memory of the body, against certain subalternization devices, based on the clear reference to the struggles and re-existences of Mapuce indigenous women, within the framework of a perspective situated in decolonization, emancipation and the liberation of oppressed peoples.