The Limit as a Plastic Concept in the Work of Eduardo Chillida. A Reading Based on Eugenio Trías’ Philosophy of the Limit
“The plastic limit as a concept in the work of Eduardo Chillida. A reading from the Philosophy of the Limit by Eugenio Trias” is an aesthetic investigation into the work of the Basque sculptor Eduardo Chillida that takes as its main concept the idea of the limit, understood as a fundamental ontologi...
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| Tipo de recurso: | artículo |
| Estado: | Versión publicada |
| Fecha de publicación: | 2015 |
| País: | México |
| Institución: | INSTITUTO TECNOLÓGICO Y DE ESTUDIOS SUPERIORES DE MONTERREY |
| Repositorio: | En-claves del pensamiento |
| Idioma: | español |
| OAI Identifier: | oai:ojs.enclavesdelpensamiento.mx:article/14 |
| Acceso en línea: | https://www.enclavesdelpensamiento.mx/index.php/enclaves/article/view/14 |
| Access Level: | acceso abierto |
| Palabra clave: | Eugenio Trías Eduardo Chillida filosofía del límite fenomenología escultura vasca limit philosophy phenomenology Basque sculpture |
| Sumario: | “The plastic limit as a concept in the work of Eduardo Chillida. A reading from the Philosophy of the Limit by Eugenio Trias” is an aesthetic investigation into the work of the Basque sculptor Eduardo Chillida that takes as its main concept the idea of the limit, understood as a fundamental ontological category appliedto an artwork. All this, following the line proposed by philosopher Eugenio Trias, who with his philosophical system provides a theoretical and methodological approach to our analysis. In this way, and based on the symbolic value of art, the work of Chillida is addressed from a metaphysical aspect that, according to Trias’s system of arts, speaks of space from the dialectic of matter/vacuum and from which we inhabit. |
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