Definiciones propias y delegadas: indeterminación y autoría compartida en el arte contemporáneo
[EN] This article examines ideas on indeterminacy in artistic production since the mid-20th century, starting with John Cage s reflections in the field of music. The main objective is to trace interdisciplinary correspondences between music, philosophy, and visual arts, exploring historical antecede...
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| Tipo de recurso: | artículo |
| Fecha de publicación: | 2025 |
| País: | España |
| Institución: | Universitat Politècnica de València (UPV) |
| Repositorio: | RiuNet. Repositorio Institucional de la Universitat Politécnica de Valéncia |
| Idioma: | español |
| OAI Identifier: | oai:riunet.upv.es:10251/227556 |
| Acceso en línea: | https://riunet.upv.es/handle/10251/227556 |
| Access Level: | acceso abierto |
| Palabra clave: | Open work Chance Randomness Co-authorship Autonomous systems Obra abierta Azar Aleatoriedad Autoría Sistemas autónomos |
| Sumario: | [EN] This article examines ideas on indeterminacy in artistic production since the mid-20th century, starting with John Cage s reflections in the field of music. The main objective is to trace interdisciplinary correspondences between music, philosophy, and visual arts, exploring historical antecedents of co-authorship in contemporary art. Through a critical review of canonical texts (such as those by Cage and Umberto Eco) and an analysis of representative works, the article explores the resonances of these notions in Eastern cultural traditions and their connection with the Open Work. Additionally, it examines how technological advancements have facilitated the emergence of autonomous systems that enable shared authorship, linking these approaches with generativity. These resources can be seen as a shift from the creator s traditional role as a genius who controls all aspects of the work, towards one who delegates decisions to human agents or systems of various types (such as machinic ones), who complete a portion ceded by the initial author. Together, these parts shape the final aesthetic experience for the observer or participant. |
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