Lumen Dantis et Lumen Margaretae: el imaginario compartido por Dante Alighieri y Marguerite dicta Porete
In this article we compare the images used by Dante Alighieri with the ones used by her/n“heretical” contemporary Marguerite Porete (†1310) for expressing the final contact-vision of God. We will analyze the use of the images of light, the gradual ascent and the knot in both/nauthors, putting it int...
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| Tipo de recurso: | artículo |
| Estado: | Versión publicada |
| Fecha de publicación: | 2010 |
| País: | España |
| Institución: | Varias* (Consorci de Biblioteques Universitáries de Catalunya, Centre de Serveis Científics i Acadèmics de Catalunya) |
| Repositorio: | Recercat. Dipósit de la Recerca de Catalunya |
| OAI Identifier: | oai:recercat.cat:10230/16367 |
| Acceso en línea: | http://hdl.handle.net/10230/16367 |
| Access Level: | acceso abierto |
| Palabra clave: | Porete, Marguerite Misticisme Dante Alighieri, 1265-1321 Marguerite Porete Dante Alighieri Commedia Mirouer des simples ames Vision Light Knot |
| Sumario: | In this article we compare the images used by Dante Alighieri with the ones used by her/n“heretical” contemporary Marguerite Porete (†1310) for expressing the final contact-vision of God. We will analyze the use of the images of light, the gradual ascent and the knot in both/nauthors, putting it into the context of the theological doctrines about the visio Dei. This will allow us, in the first place, to claim a shared cultural background based in the conception of God as a visible being and, in the second, to discuss the historical implications of/nheteredoxy/ortodoxy in the Commedia and the Mirouer. |
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