El lenguaje y los movimientos de ocupación. Un recorrido por las nociones dominantes del lenguaje en relación con la ocupación como movimiento contra-cultural en la hegemonía occidental
[EN] Through the study of performativity, an approach is introduced that starts from a series of desviations from the strategies of the social movements of occupation for the transformation of the codes of language into a transfeminist relation. From a post]critical view of the production of politic...
| Autor: | |
|---|---|
| Tipo de recurso: | capítulo de libro |
| Fecha de publicación: | 2017 |
| País: | España |
| Institución: | Universitat Politècnica de València (UPV) |
| Repositorio: | RiuNet. Repositorio Institucional de la Universitat Politécnica de Valéncia |
| Idioma: | español |
| OAI Identifier: | oai:riunet.upv.es:10251/106665 |
| Acceso en línea: | https://riunet.upv.es/handle/10251/106665 |
| Access Level: | acceso abierto |
| Palabra clave: | Investigación artística Lenguaje Discursos Arte contemporáneo Arte conceptual Artistic research Language Speeches Contemporary art Conceptual art |
| Sumario: | [EN] Through the study of performativity, an approach is introduced that starts from a series of desviations from the strategies of the social movements of occupation for the transformation of the codes of language into a transfeminist relation. From a post]critical view of the production of political subjectivities and its constitution in subject, language is proposed as a technology of gender identities in relation to the hegemonic social order. Towards a poststructuralist reading and establishing allegories on the strategy of chess in linguistics ]from the filmic and literary metaphors], the chessboard is considered a space whose property is in the paternal figure and in which governs a tanatopolitical regime, abandoned by daily struggles. This article presents reflections putting the chessboard as a space between the inhabited and the uninhabited, between the presence and absence, between the deserted and the rules. Understanding it as a binary system by its own representation based on the organization of two antagonistic tonalities and on a presentation of the subjects of the game in opposition that can be seen as a result of reflection. Through the analysis of the game, whose presence of women as historical subjects has been annulled, presents the dichotomy of postmodernist thinking and the structures that support it. With the object and the subject placed in the study analysis, it mades a view that constitutes a drift of the social movements of occupation in terms of the dominant thinking model, putting in the check the notions of Saussure's sign interpellated and unbalanced by the theory of feminist discourse. Also, establishing in language some places of political resistance. |
|---|