Contradicciones del arte post-digital. Neomaterialismos vs. infinitud
[EN] This statement is trying to think about the paradigm of a new neomateriality determined by the postinternet practices and the post-digital scene. By that way, this neomateriality is questioning the parametres that mark its own definition. At the conceptual artistic practices of the 60’s, consid...
| Autores: | , |
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| Tipo de recurso: | capítulo de libro |
| Fecha de publicación: | 2017 |
| País: | España |
| Institución: | Universitat Politècnica de València (UPV) |
| Repositorio: | RiuNet. Repositorio Institucional de la Universitat Politécnica de Valéncia |
| Idioma: | español |
| OAI Identifier: | oai:riunet.upv.es:10251/107418 |
| Acceso en línea: | https://riunet.upv.es/handle/10251/107418 |
| Access Level: | acceso abierto |
| Palabra clave: | Postinternet Post-digital Neomaterialidad Arte contemporáneo Arte conceptual Capitalism Neo-materiality Contemporary art Conceptual art |
| Sumario: | [EN] This statement is trying to think about the paradigm of a new neomateriality determined by the postinternet practices and the post-digital scene. By that way, this neomateriality is questioning the parametres that mark its own definition. At the conceptual artistic practices of the 60’s, considered the beggining of the digital art lineage, the immateriality was acceptated as a study object towed to the interaction and to the conceptual process. Owing to that alliance, the inmaterial was treated as a infiniteness reflect, as a warning of the self-finitness. At the post-digital context, it derives to a continuous mirrored relation with yourself enrrolled in its own way, in an anachrinistic continuity, where the rift with the infiniteness perception that people had while the humanistic world collapse happens. This estrangement is defined by the formalist pluralist processes in which the neoconceptual practices of the 80’s were wrapped while they pretending to flee of the hybird and eclectic trend of 70’s conceptual art. |
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