Corbu’s Hands

[EN] The aim of presented paper is to grasp a sense in which Le Corbusier influenced his professional partners within ATBAT at 35 rue de Sèvres in Paris. On the example of Iannis Xenakis (Greek) and Jerzy Sołtan (Pole), which curriculum and experience will be superposed, authors wish to analyse a me...

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Detalhes bibliográficos
Autores: Rumież, Agnieszka, Oleszak, Witold
Formato: capítulo de livro
Fecha de publicación:2016
País:España
Recursos:Universitat Politècnica de València (UPV)
Repositorio:RiuNet. Repositorio Institucional de la Universitat Politécnica de Valéncia
Idioma:inglés
OAI Identifier:oai:riunet.upv.es:10251/87271
Acesso em linha:https://riunet.upv.es/handle/10251/87271
Access Level:acceso abierto
Palavra-chave:architecture
le corbusier
modern movement
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spelling Corbu’s HandsRumież, AgnieszkaOleszak, Witoldarchitecturele corbusiermodern movement[EN] The aim of presented paper is to grasp a sense in which Le Corbusier influenced his professional partners within ATBAT at 35 rue de Sèvres in Paris. On the example of Iannis Xenakis (Greek) and Jerzy Sołtan (Pole), which curriculum and experience will be superposed, authors wish to analyse a means in which the formation of Le Corbusier’s Collaborators induced a profoundly individualistic paths of both apprentices. Moreover it enabled both artists to develop autonomous views on creative activities, which still stayed in mutual compliance. That allows to speculate upon the forcefulness of approach towards passing skills that Le Corbusier applied in his Studio. With a parallel example of two pavilions for the World’s Fare Expo’58 in Brussels, it is presented how compatible, despite of being completely different in form, those two projects are[ES] El objetivo del articulo es comprender cómo Le Corbusier influenciado sus socios profesionales en ATBAT a los 35 rue de Sèvres en Paris. Con un ejemplo de Iannis Xenakis (griego) y Jerzy Sołtan (polaco), autores desean analizar un medio en el que la formacion de Colaboradores de Le Corbusier indujo a profunda indualistas sendas de los dos aprendices. Con un ejemplo paralelo de dos pabellones para Expo'58 Fare del Mundo en Bruselas, se presenta el grado de compatibilidad, a pesar de ser completamente diferente en la forma, son los dos proyectos.Editorial Universitat Politècnica de ValènciaRepositorio Institucional de la Universitat Politècnica de València Riunet20162016-03-03book parthttp://purl.org/coar/resource_type/c_3248VoRhttp://purl.org/coar/version/c_970fb48d4fbd8a85info:eu-repo/semantics/bookPartapplication/pdfhttps://riunet.upv.es/handle/10251/87271reponame:RiuNet. Repositorio Institucional de la Universitat Politécnica de Valénciainstname:Universitat Politècnica de València (UPV)Inglésengopen accesshttp://purl.org/coar/access_right/c_abf2Reconocimiento - No comercial - Sin obra derivada (by-nc-nd) http://creativecommons.org/licenses/by-nc-nd/4.0/info:eu-repo/semantics/openAccessoai:riunet.upv.es:10251/872712026-06-13T07:49:27Z
dc.title.none.fl_str_mv Corbu’s Hands
title Corbu’s Hands
spellingShingle Corbu’s Hands
Rumież, Agnieszka
architecture
le corbusier
modern movement
title_short Corbu’s Hands
title_full Corbu’s Hands
title_fullStr Corbu’s Hands
title_full_unstemmed Corbu’s Hands
title_sort Corbu’s Hands
dc.creator.none.fl_str_mv Rumież, Agnieszka
Oleszak, Witold
author Rumież, Agnieszka
author_facet Rumież, Agnieszka
Oleszak, Witold
author_role author
author2 Oleszak, Witold
author2_role author
dc.contributor.none.fl_str_mv Repositorio Institucional de la Universitat Politècnica de València Riunet
dc.subject.none.fl_str_mv architecture
le corbusier
modern movement
topic architecture
le corbusier
modern movement
description [EN] The aim of presented paper is to grasp a sense in which Le Corbusier influenced his professional partners within ATBAT at 35 rue de Sèvres in Paris. On the example of Iannis Xenakis (Greek) and Jerzy Sołtan (Pole), which curriculum and experience will be superposed, authors wish to analyse a means in which the formation of Le Corbusier’s Collaborators induced a profoundly individualistic paths of both apprentices. Moreover it enabled both artists to develop autonomous views on creative activities, which still stayed in mutual compliance. That allows to speculate upon the forcefulness of approach towards passing skills that Le Corbusier applied in his Studio. With a parallel example of two pavilions for the World’s Fare Expo’58 in Brussels, it is presented how compatible, despite of being completely different in form, those two projects are
publishDate 2016
dc.date.none.fl_str_mv 2016
2016-03-03
dc.type.none.fl_str_mv book part
http://purl.org/coar/resource_type/c_3248
VoR
http://purl.org/coar/version/c_970fb48d4fbd8a85
dc.type.openaire.fl_str_mv info:eu-repo/semantics/bookPart
format bookPart
dc.identifier.none.fl_str_mv https://riunet.upv.es/handle/10251/87271
url https://riunet.upv.es/handle/10251/87271
dc.language.none.fl_str_mv Inglés
eng
language_invalid_str_mv Inglés
language eng
dc.rights.none.fl_str_mv open access
http://purl.org/coar/access_right/c_abf2
Reconocimiento - No comercial - Sin obra derivada (by-nc-nd)
http://creativecommons.org/licenses/by-nc-nd/4.0/
dc.rights.openaire.fl_str_mv info:eu-repo/semantics/openAccess
rights_invalid_str_mv open access
http://purl.org/coar/access_right/c_abf2
Reconocimiento - No comercial - Sin obra derivada (by-nc-nd)
http://creativecommons.org/licenses/by-nc-nd/4.0/
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Editorial Universitat Politècnica de València
publisher.none.fl_str_mv Editorial Universitat Politècnica de València
dc.source.none.fl_str_mv reponame:RiuNet. Repositorio Institucional de la Universitat Politécnica de Valéncia
instname:Universitat Politècnica de València (UPV)
instname_str Universitat Politècnica de València (UPV)
reponame_str RiuNet. Repositorio Institucional de la Universitat Politécnica de Valéncia
collection RiuNet. Repositorio Institucional de la Universitat Politécnica de Valéncia
repository.name.fl_str_mv
repository.mail.fl_str_mv
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score 15,301603

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