Corbu’s Hands
[EN] The aim of presented paper is to grasp a sense in which Le Corbusier influenced his professional partners within ATBAT at 35 rue de Sèvres in Paris. On the example of Iannis Xenakis (Greek) and Jerzy Sołtan (Pole), which curriculum and experience will be superposed, authors wish to analyse a me...
| Autores: | , |
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| Tipo de recurso: | capítulo de libro |
| Fecha de publicación: | 2016 |
| País: | España |
| Institución: | Universitat Politècnica de València (UPV) |
| Repositorio: | RiuNet. Repositorio Institucional de la Universitat Politécnica de Valéncia |
| Idioma: | inglés |
| OAI Identifier: | oai:riunet.upv.es:10251/87271 |
| Acceso en línea: | https://riunet.upv.es/handle/10251/87271 |
| Access Level: | acceso abierto |
| Palabra clave: | architecture le corbusier modern movement |
| Sumario: | [EN] The aim of presented paper is to grasp a sense in which Le Corbusier influenced his professional partners within ATBAT at 35 rue de Sèvres in Paris. On the example of Iannis Xenakis (Greek) and Jerzy Sołtan (Pole), which curriculum and experience will be superposed, authors wish to analyse a means in which the formation of Le Corbusier’s Collaborators induced a profoundly individualistic paths of both apprentices. Moreover it enabled both artists to develop autonomous views on creative activities, which still stayed in mutual compliance. That allows to speculate upon the forcefulness of approach towards passing skills that Le Corbusier applied in his Studio. With a parallel example of two pavilions for the World’s Fare Expo’58 in Brussels, it is presented how compatible, despite of being completely different in form, those two projects are |
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