Tipografía velada. Nuevas imágenes, eco de otras palabras
[EN] One way to develop a good project, such as the artist s book or visual poetry, is to have the knowledge of typography and the access to movable types that help to transmit and interpret the ideas. Traditional letterpress printing, although it has become obsolete at industrial level, has been wi...
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| Tipo de recurso: | artículo |
| Fecha de publicación: | 2017 |
| País: | España |
| Institución: | Universitat Politècnica de València (UPV) |
| Repositorio: | RiuNet. Repositorio Institucional de la Universitat Politécnica de Valéncia |
| Idioma: | español |
| OAI Identifier: | oai:riunet.upv.es:10251/192333 |
| Acceso en línea: | https://riunet.upv.es/handle/10251/192333 |
| Access Level: | acceso abierto |
| Palabra clave: | Movable type Geometric figures Visual poetry Typographic layout The Artist&apos s book Tipos móviles Figuras geométricas Poesía visual Espacio tipográfico Libro de Artista |
| Sumario: | [EN] One way to develop a good project, such as the artist s book or visual poetry, is to have the knowledge of typography and the access to movable types that help to transmit and interpret the ideas. Traditional letterpress printing, although it has become obsolete at industrial level, has been widely used at some faculties of Fine Arts and at some studios, where artists can obtain their education and work on their personal or collective projects and use typography as the main form of expression. The type founders in the first half of 20th century created bold typographic designs, offering the artists and typographers possibilities to create their harmonic and poetic work, just like poets, from expressing their emotions to extending the letters all over the space, breaking down verses, allowing the echo of new words, created with subtly blurred typography, to vibrate. |
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