La doble vida virtual de la Joyería Contemporánea
[EN] By Contemporary( Jewellery we mean an artistic movement, born in Europe in the 60’s, developed by some jewellers in order to renovate the language of jewellery towards the artist’s freedom of expression. In a relatively short time jewellery was taken to those extreme conclusions reached by the...
| Autor: | |
|---|---|
| Tipo de recurso: | capítulo de libro |
| Fecha de publicación: | 2015 |
| País: | España |
| Institución: | Universitat Politècnica de València (UPV) |
| Repositorio: | RiuNet. Repositorio Institucional de la Universitat Politécnica de Valéncia |
| Idioma: | español |
| OAI Identifier: | oai:riunet.upv.es:10251/88740 |
| Acceso en línea: | https://riunet.upv.es/handle/10251/88740 |
| Access Level: | acceso abierto |
| Palabra clave: | Arte Producción artística Estética Teoría del Arte Gestión cultural Educación artística Investigación artística ESCULTURA |
| Sumario: | [EN] By Contemporary( Jewellery we mean an artistic movement, born in Europe in the 60’s, developed by some jewellers in order to renovate the language of jewellery towards the artist’s freedom of expression. In a relatively short time jewellery was taken to those extreme conclusions reached by the fine art. In that way jewellery leave aside the relationship with the body or with the objet in itself, losing contact with daily life. The first aspect of new jewellery’s virtual life is the consideration of “jewel” as field of research, contemplation or reflexion, stating the idea before the object. Hence this kind of jewellery “lives” more through the outside media, such as photography, video, and curatorial texts, which exponential propagation through the Internet builds the second aspect of its virtual life: a conversion into a media phenomenon. The entrance of Contemporary( Jewellery in the web carries interesting changes above all in the gallery market parameters, and the exponential participation of foreign artists because of the participative possibilities of the Web02. We propose an analysis of these two aspects, pointing out the fact that the expansion of this phenomenon through the net didn’t help to consolidate a Contemporary(Jewellery culture but, instead, it produced confusion about its real nature. |
|---|