El encanto y la miseria. Cultura artística y discriminación corporal
Artistic practices not only have the capacity to analyse and denounce different forms of violence present in our society, but also allow us to observe the tensions and contradictions that arise within the very organization ofthe art field itself.The first part of the study addresses the historical c...
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| Tipo de recurso: | artículo |
| Fecha de publicación: | 2026 |
| País: | España |
| Institución: | Universidad de Murcia |
| Repositorio: | DIGITUM. Depósito Digital Institucional de la Universidad de Murcia |
| OAI Identifier: | oai:dnet:digitum_____::912468a698a6f77a09ed4846bbda42dd |
| Acceso en línea: | https://doi.org/10.6018/sh.656741 http://hdl.handle.net/10201/223561 |
| Access Level: | acceso abierto |
| Palabra clave: | Capital Cultural Discriminación Corporal Dominación Explotación Art Field Artistic Work Cultural Capital Bodily Discrimination Domination Exploitation Campo del Arte No relacionado con ningún objetivo de desarrollo sostenible |
| Sumario: | Artistic practices not only have the capacity to analyse and denounce different forms of violence present in our society, but also allow us to observe the tensions and contradictions that arise within the very organization ofthe art field itself.The first part of the study addresses the historical configuration of the specific space of the artistic. It analyses the institutions, agents, and logics that structure this particular world, organized around cultural resources that, in many cases, contain significant degrees of elitism and operate as a form of capital.The second part, based on a series of interviews, examines how workers within this field may experience a specific form of bodily discrimination. The high circulation of the aforementioned cultural capital contributes to generating forms of violence that manifest themselves in bodies as exclusion, domination, and exploitation—both economic and cultural. |
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