Opening credit sequences
This article aims to analyse existing audio descriptions of opening credit sequences to raise awareness at the function and role played by these brief film introductions. It will pave the way to suggest possible ways of dealing with the overload of information provided by the credits. The first sect...
| Autores: | , |
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| Tipo de recurso: | artículo |
| Fecha de publicación: | 2011 |
| País: | España |
| Institución: | Universitat Autònoma de Barcelona |
| Repositorio: | Dipòsit Digital de Documents de la UAB |
| Idioma: | inglés |
| OAI Identifier: | oai:ddd.uab.cat:117134 |
| Acceso en línea: | https://ddd.uab.cat/record/117134 |
| Access Level: | acceso abierto |
| Palabra clave: | Audio description Audiovisual translation Media accessibility Film credits |
| Sumario: | This article aims to analyse existing audio descriptions of opening credit sequences to raise awareness at the function and role played by these brief film introductions. It will pave the way to suggest possible ways of dealing with the overload of information provided by the credits. The first section presents an overview of film credits: five main historical phases are identified, and four categories are proposed. The manifold functions and constituents of opening credit sequences are also presented. The second section presents an analysis of a corpus of twenty opening film credits and highlights the various strategies adopted as well as the many problems faced by audio describers. |
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