A TV Dante - Cantos I-VIII (1989) by Peter Greenaway and Tom Phillips
For their film version of the first eight cantos from Dante's Inferno, A TV Dante - Cantos I-VIII (1989), Peter Greenaway and Tom Phillips developed a completely new and highly innovative adaptation strategy: Based on an earlier illustration cycle and translation of Dante's Inferno by Tom...
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| Tipo de recurso: | artículo |
| Fecha de publicación: | 2015 |
| País: | España |
| Institución: | Universitat Autònoma de Barcelona |
| Repositorio: | Dipòsit Digital de Documents de la UAB |
| Idioma: | inglés |
| OAI Identifier: | oai:ddd.uab.cat:145142 |
| Acceso en línea: | https://ddd.uab.cat/record/145142 https://dx.doi.org/urn:doi:10.5565/rev/dea.33 |
| Access Level: | acceso abierto |
| Palabra clave: | Inferno Peter Greenaway Tom Phillips Dante and film Dante and tv Dante illustrations Dante e il cinema Dante e la TV Illustrazioni di Dante |
| Sumario: | For their film version of the first eight cantos from Dante's Inferno, A TV Dante - Cantos I-VIII (1989), Peter Greenaway and Tom Phillips developed a completely new and highly innovative adaptation strategy: Based on an earlier illustration cycle and translation of Dante's Inferno by Tom Phillips, Greenaway and Phillips conceived A TV Dante as a new edition of the artist book. For this, they transferred typical book structures in the film and, similar to Phillips' own symbolical illustration strategy, translated the text of the Inferno in a symbolical TV language. In this article, I will give an overview over the central adaptation principles in A TV Dante. |
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