Entre representación y simulación. Un cambio de paradigma en el dibujo arquitectónico contemporáneo
[EN] Contemporary architectural drawing has undergone a series of major transformations in both its methodologies as well as concepts since the introduction of the computer. Though continuous, this process has been directly tied to technological advances in each phase of the so-called digital revolu...
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| Tipo de recurso: | artículo |
| Fecha de publicación: | 2018 |
| País: | España |
| Institución: | Universitat Politècnica de València (UPV) |
| Repositorio: | RiuNet. Repositorio Institucional de la Universitat Politécnica de Valéncia |
| Idioma: | español inglés |
| OAI Identifier: | oai:riunet.upv.es:10251/113204 |
| Acceso en línea: | https://riunet.upv.es/handle/10251/113204 |
| Access Level: | acceso abierto |
| Palabra clave: | Dibujo Representación Simulación Hiperrealidad Drawing Representation Simulation Hyperreality |
| Sumario: | [EN] Contemporary architectural drawing has undergone a series of major transformations in both its methodologies as well as concepts since the introduction of the computer. Though continuous, this process has been directly tied to technological advances in each phase of the so-called digital revolution, the latest transformations of which are directly related to the progressively greater capacity for replicating reality in an increasingly hyperrealistic manner, as well as interface innovations that create immersive experiences nearly indiscernible from a direct sensory experience. The result is architectural drawing’s shift away from parameters based on the principles of representation, a concept upon which the trade’s theoretical concepts have been built, towards a graphical image based on the principles of what has come to be called simulation. A conceptual shift that profoundly transforms the theoretical principles of architectural design. |
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