De la burla a la doctrina. Francisco de Quevedo como autor de sermones
The literature of Francisco de Quevedo has been traditionally studied from a position of preference towards its playful side. The reason is because readers and editors have left unattended the most theological part of his literature. By fortune, current critics know that this kind of studies are, ac...
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| Tipo de recurso: | artículo |
| Fecha de publicación: | 2018 |
| País: | España |
| Institución: | Universidad de Navarra |
| Repositorio: | Dadun. Depósito Académico Digital de la Universidad de Navarra |
| Idioma: | español |
| OAI Identifier: | oai:dadun.unav.edu:10171/60301 |
| Acceso en línea: | https://hdl.handle.net/10171/60301 |
| Access Level: | acceso abierto |
| Palabra clave: | Oratoria sagrada Literatura del Siglo de Oro Sermón Francisco de Quevedo |
| Sumario: | The literature of Francisco de Quevedo has been traditionally studied from a position of preference towards its playful side. The reason is because readers and editors have left unattended the most theological part of his literature. By fortune, current critics know that this kind of studies are, actually, a serie of topics that has awaken the correct and true comprehension of the whole of Quevedo’s texts. In this sense, we propose an approach to the most ascetic fraction of Quevedo’s literature, closely connected to the sacred baroque oratory, through the analysis of three homiletic writings. |
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