Decolonial interruptions of settler time in Tanya Tagaq’s art
This article discusses two texts by the Inuit musician and writer Tanya Tagaq to demonstrate the need for honoring Inuit relationships with other-than-human beings through decolonial interruptions of settler time in Canada: a well-publicized photograph Tagaq posted on Twitter in March 2014 of her in...
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| Tipo de recurso: | artículo |
| Fecha de publicación: | 2025 |
| País: | España |
| Institución: | Universidad de Alcalá (UAH) |
| Repositorio: | e_Buah Biblioteca Digital Universidad de Alcalá |
| Idioma: | inglés |
| OAI Identifier: | oai:ebuah.uah.es:10017/65369 |
| Acceso en línea: | http://hdl.handle.net/10017/65369 https://dx.doi.org/10.37536/ECOZONA.2025.16.1.5315 |
| Access Level: | acceso abierto |
| Palabra clave: | Tanya Tagaq Political strategy Decolonization Split Tooth Inuit seal hunting Estrategia política Decolonización Caza de focas inuit Literatura Medio ambiente Literature Environmental science |
| Sumario: | This article discusses two texts by the Inuit musician and writer Tanya Tagaq to demonstrate the need for honoring Inuit relationships with other-than-human beings through decolonial interruptions of settler time in Canada: a well-publicized photograph Tagaq posted on Twitter in March 2014 of her infant daughter beside a freshly killed seal,and the genre-crossing book “Split Tooth”. Using Walter Mignolo’s approach to decolonial gestures, I explore the #sealfie photograph and the novel as textured evocations of the Inuit worldview that was rendered invisible in much of the commentary on Twitter about the #sealfie picture. Both the #sealfie controversy and the book have larger ramifications for how the difficult process of reconciliation between Inuit communities and Canadian settlers is understood. Tagaq’s development of form, word, and image allow for reader responses within what Mary Louise Pratt calls cultural “contact zones” (1991) where small shifts in awareness of the continuity and dignity of continued Inuit presence on the land, despite colonization, are possible. In the first part of the article, I discuss recent historical and theoretical contexts, introducing Mark Rifkin’s approach to “settler time” as a theoretical lens. I then consider the #sealfie issue, focusing on how Tagaq transformed the attacks on her political stance and personhood as an Inuit mother. In the third part of the article, I expand my discussion to show how Tagaq transforms the epistemic terms of the debate through storytelling and poetry in “Split Tooth”. |
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