LUZ, MOVIMIENTO Y ESPACIO. PROPIEDADES CINÉTICAS DE LA MATERIALIDAD EN LA IMAGEN EN MOVIMIENTO
[EN] The objective of this paper is to analyze how to increase the level of materiality of the moving image and it’s lighting qualities that can modify aspects of the environment in which the artwork is installed. This research addresses the question of how to develop new ways to represent and perce...
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| Tipo de recurso: | capítulo de libro |
| Fecha de publicación: | 2015 |
| País: | España |
| Institución: | Universitat Politècnica de València (UPV) |
| Repositorio: | RiuNet. Repositorio Institucional de la Universitat Politécnica de Valéncia |
| Idioma: | español |
| OAI Identifier: | oai:riunet.upv.es:10251/85527 |
| Acceso en línea: | https://riunet.upv.es/handle/10251/85527 |
| Access Level: | acceso abierto |
| Palabra clave: | Arte Ciencia Ciudad Visualidad Energía Conectividad Luz Oscuridad |
| Sumario: | [EN] The objective of this paper is to analyze how to increase the level of materiality of the moving image and it’s lighting qualities that can modify aspects of the environment in which the artwork is installed. This research addresses the question of how to develop new ways to represent and perceive the time/space from the significance of the moving image taking into consideration: the installation of the artwork (mise en scène), the body (as a floating point of view), scale perception, volume and movement. Some references of how these questions have been explored are Lichtrequisit (Moholy-Nagy, 1930), Line Describing a Cone (Anthony McCall 1973) and We only meet when we move (Olafur Eliasson, 2004). In this paper I will analyze how the articulation of 3 aspects can be explored: (1) the concept of space treated from the perspective of sculpture; (2) the use of interactive technology (3) the installation of the artwork as an object that use light and interact with the presence of the public. In this kind of process, perception of moving images depends on how these images are displayed and the context where the artwork is installed. In a ‘white cube’, people are able to move freely through the exhibition space and between the images; vision is free to explore different readings and meanings of the artwork. The presentation will offer an analysis of how the articulation of these aspects (space, technology, interactive artwork, point of view, moving body and light images) resulting in a kind of image which perception is fluid, and dependent on a moving point. The artwork Space Perimeter (Cristian Villavicencio, 2015) is part of this research as an interactive sculpture that articulates de concepts that are mentioned in this text |
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