UN ARTISTA HACE VISIBLE A UN CIENTÍFICO. ENCUENTRO ENTRE MÉTODOS: YOUR COLOUR MEMORY Y LA PELL DE LA PELL
[EN] “An artist makes visible to a scientist. Meeting between methods: Your colour memory and The skin of the skin”. This article explain two experiences of visualization framed within the Research and Development (I+D) project “Metamethod. Shared methodologies in artistic processes HAR2010-18453 (s...
| Autores: | , |
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| Tipo de documento: | capítulo de livro |
| Data de publicação: | 2015 |
| País: | España |
| Recursos: | Universitat Politècnica de València (UPV) |
| Repositório: | RiuNet. Repositorio Institucional de la Universitat Politécnica de Valéncia |
| Idioma: | espanhol |
| OAI Identifier: | oai:riunet.upv.es:10251/84887 |
| Acesso em linha: | https://riunet.upv.es/handle/10251/84887 |
| Access Level: | Acceso aberto |
| Palavra-chave: | Arte Ciencia Ciudad Visualidad Energía Conectividad Luz Oscuridad |
| Resumo: | [EN] “An artist makes visible to a scientist. Meeting between methods: Your colour memory and The skin of the skin”. This article explain two experiences of visualization framed within the Research and Development (I+D) project “Metamethod. Shared methodologies in artistic processes HAR2010-18453 (subprogram ARTE)” developed by the artists and researchers of IMARTE Group, University of Barcelona. The main objective of project “Metamethod” is to connect with structures of research that other disciplines apply to their projects in order to understand them and then, in a second stage, adapt or modify them from a creative perspective, where an original thought generating new concepts emerge. First, we shall make a brief introduction of “Metamethod” and after, the characteristics of each of the two experiences will be presented. The first experience titled Your colour memory was made with Neuromuscular Diseases Unit and Laboratory of the Research Institute Hospital de Sant Pau (UAB). Examines the power of scientific reasoning as an unquestionable truth and the laboratory as the stage where that argument germinates. Different scenarios converge in the analysis of the theories of color in relation to the contributions from different languages: the Newton’s science, Goethe’s humanistic and artistic mastery, Schopenhauer’s debate with Goethe, Chevreul’s applied chemistry or Wittgenstein’s philosophical logic. Their arguments will underpin the premise that “an artist makes visible a scientist.” The second study, entitled The skin of the skin, starts after contact by Department of Botany, Faculty of Biology (UB). The idea of how to build living façades through biological concrete suggests an analogy from a particular visualization of the chromatographies and photopolymer plates.The artist contacts two ways of working which are characteristic among the two disciplines: the observation of the world, the revision of natural phenomena, the invention of new concepts, posing a melting paradigm between the two. These experiences alongside those of other artists of the group were exposed under MetaMètode. Dialogues between art science, in Centre Cultural El Carme in Badalona (Barcelona) September to October 2014. All these projects with texts and images were collected in a publication Meta-Method. Shared methodologies in artistic processes. |
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