Para posible conservación de la memoria de la catástrofe en el estudio del TOURIZING FUKUSHIMA : THE FUKUICHI KANKO PROYECT
[EN] After four years of the disaster of the earthquake, the tsunami and the accident at the nuclear plant in Fukushima in Japan, there are certain concerns about rebuilding the posFukushima society and concern about the forgetfulness of the event, that is to say, the memory of the catastrophe. In t...
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| Tipo de recurso: | capítulo de libro |
| Fecha de publicación: | 2015 |
| País: | España |
| Institución: | Universitat Politècnica de València (UPV) |
| Repositorio: | RiuNet. Repositorio Institucional de la Universitat Politécnica de Valéncia |
| Idioma: | español |
| OAI Identifier: | oai:riunet.upv.es:10251/89204 |
| Acceso en línea: | https://riunet.upv.es/handle/10251/89204 |
| Access Level: | acceso abierto |
| Palabra clave: | Arte Producción artística Estética Teoría del arte Gestión cultural Educación artística Investigación artística |
| Sumario: | [EN] After four years of the disaster of the earthquake, the tsunami and the accident at the nuclear plant in Fukushima in Japan, there are certain concerns about rebuilding the posFukushima society and concern about the forgetfulness of the event, that is to say, the memory of the catastrophe. In this context, we find a radical approach: Tourizing Fukushima: The Fukuichi Kanko Project, which is to turn Fukushima into a tourist spot with commercial interests. This is a rather controversial project because it has caused discomfort and disagreement with the tourist concept. The collective group presented the project in two publications: Dark Tourism Guide Chernobyl, and the second, Tourizing Fukushima: The Fukuichi Kanko Project. In both there is a proposal on the retention of memory through the files and its connection with virtual reality. This project has an artistic look for change of perspective to approach reality through virtual technology. |
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