Film language, film emotions and the experience of blind and partially sighted viewers: a reception study

Film experience is a sensual, cognitive and emotional encounter between film and spectator. For viewers with blindness or visual impairment, access to film experience is made possible through audio description (AD). Conventionally, AD is an objective depiction of the images on screen, where audio de...

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Detalles Bibliográficos
Autor: Bardini, Floriane
Tipo de recurso: artículo
Fecha de publicación:2020
País:España
Institución:UVic-UCC
Repositorio:RiUVic. Repositori institucional de la UVic-UCC
OAI Identifier:oai:dspace.uvic.cat:10854/180268
Acceso en línea:http://hdl.handle.net/10854/180268
https://doi.org/10.26034/cm.jostrans.2020.556
Access Level:acceso abierto
Palabra clave:Audiodescripció
Traducció audiovisual
81
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spelling Film language, film emotions and the experience of blind and partially sighted viewers: a reception studyBardini, FlorianeAudiodescripcióTraducció audiovisual81Film experience is a sensual, cognitive and emotional encounter between film and spectator. For viewers with blindness or visual impairment, access to film experience is made possible through audio description (AD). Conventionally, AD is an objective depiction of the images on screen, where audio describers refrain from interpreting what is shown or the way it is shown. This demand for objectivity has been challenged by some researchers and the study presented here is a contribution in this line. Forty five blind and partially sighted Catalan viewers experienced three AD styles: one conventional AD and two interpretative styles (cinematic AD and narrative AD). Results show that although conventional AD gives satisfactory access to the story, emotional aspects expressed through film language are rendered more effectively with an interpretative approach. In our sample, the cinematic and the narrative AD offer a film experience that is more satisfying than that offered by conventional AD.info:eu-repo/semantics/publishedVersionŁucja BielUniversitat de Vic - Universitat Central de Catalunya. Facultat d'Educació, Traducció, Esports i Psicologia2025202520202020info:eu-repo/semantics/article23 p.application/pdfhttp://hdl.handle.net/10854/180268https://doi.org/10.26034/cm.jostrans.2020.556reponame:RiUVic. Repositori institucional de la UVic-UCCinstname:UVic-UCCInglésAttribution 4.0 Internationalhttp://creativecommons.org/licenses/by/4.0/info:eu-repo/semantics/openAccessoai:dspace.uvic.cat:10854/1802682026-06-07T19:15:21Z
dc.title.none.fl_str_mv Film language, film emotions and the experience of blind and partially sighted viewers: a reception study
title Film language, film emotions and the experience of blind and partially sighted viewers: a reception study
spellingShingle Film language, film emotions and the experience of blind and partially sighted viewers: a reception study
Bardini, Floriane
Audiodescripció
Traducció audiovisual
81
title_short Film language, film emotions and the experience of blind and partially sighted viewers: a reception study
title_full Film language, film emotions and the experience of blind and partially sighted viewers: a reception study
title_fullStr Film language, film emotions and the experience of blind and partially sighted viewers: a reception study
title_full_unstemmed Film language, film emotions and the experience of blind and partially sighted viewers: a reception study
title_sort Film language, film emotions and the experience of blind and partially sighted viewers: a reception study
dc.creator.none.fl_str_mv Bardini, Floriane
author Bardini, Floriane
author_facet Bardini, Floriane
author_role author
dc.contributor.none.fl_str_mv Universitat de Vic - Universitat Central de Catalunya. Facultat d'Educació, Traducció, Esports i Psicologia
dc.subject.none.fl_str_mv Audiodescripció
Traducció audiovisual
81
topic Audiodescripció
Traducció audiovisual
81
description Film experience is a sensual, cognitive and emotional encounter between film and spectator. For viewers with blindness or visual impairment, access to film experience is made possible through audio description (AD). Conventionally, AD is an objective depiction of the images on screen, where audio describers refrain from interpreting what is shown or the way it is shown. This demand for objectivity has been challenged by some researchers and the study presented here is a contribution in this line. Forty five blind and partially sighted Catalan viewers experienced three AD styles: one conventional AD and two interpretative styles (cinematic AD and narrative AD). Results show that although conventional AD gives satisfactory access to the story, emotional aspects expressed through film language are rendered more effectively with an interpretative approach. In our sample, the cinematic and the narrative AD offer a film experience that is more satisfying than that offered by conventional AD.
publishDate 2020
dc.date.none.fl_str_mv 2020
2020
2025
2025
dc.type.none.fl_str_mv info:eu-repo/semantics/article
format article
dc.identifier.none.fl_str_mv http://hdl.handle.net/10854/180268
https://doi.org/10.26034/cm.jostrans.2020.556
url http://hdl.handle.net/10854/180268
https://doi.org/10.26034/cm.jostrans.2020.556
dc.language.none.fl_str_mv Inglés
language_invalid_str_mv Inglés
dc.rights.none.fl_str_mv Attribution 4.0 International
http://creativecommons.org/licenses/by/4.0/
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Attribution 4.0 International
http://creativecommons.org/licenses/by/4.0/
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv 23 p.
application/pdf
dc.publisher.none.fl_str_mv Łucja Biel
publisher.none.fl_str_mv Łucja Biel
dc.source.none.fl_str_mv reponame:RiUVic. Repositori institucional de la UVic-UCC
instname:UVic-UCC
instname_str UVic-UCC
reponame_str RiUVic. Repositori institucional de la UVic-UCC
collection RiUVic. Repositori institucional de la UVic-UCC
repository.name.fl_str_mv
repository.mail.fl_str_mv
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score 15.81155

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