Sesgos de género en las músicas de consumo: percepción lectora y musical de mensajes sexistas en estudiantes de magisterio

Prevention of gender violence is a pressing concern in current society. Far from being an inborn issue, violence is most likely a phenomenon learnt troughtout daily lives. One of them are songs, as we know them nowadays, which lyrics show a sexist message that not many people understand owing to the...

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Detalles Bibliográficos
Autores: Navarro Amador, María Teresa, Pastor Comín, Juan José
Tipo de recurso: artículo
Fecha de publicación:2021
País:España
Institución:Universidad de Castilla-La Mancha
Repositorio:RUIdeRA. Repositorio Institucional de la UCLM
OAI Identifier:oai:ruidera.uclm.es:10578/46327
Acceso en línea:https://doi.org/10.5209/rced.68063
https://revistas.ucm.es/index.php/RCED/article/view/68063
https://hdl.handle.net/10578/46327
Access Level:acceso abierto
Palabra clave:docentes
gender slant
music
música
sensibilidad
sensitivity
sesgos de género
teachers
Descripción
Sumario:Prevention of gender violence is a pressing concern in current society. Far from being an inborn issue, violence is most likely a phenomenon learnt troughtout daily lives. One of them are songs, as we know them nowadays, which lyrics show a sexist message that not many people understand owing to their musical characteristics (easy and constant rythm, basic melodies and plain and catchy lyrics). Teachers have a key role to cope with this phenomenon however, their training in gender prejudices is scarce. The current project has a very clear objective: to know the sensitivity towards gender prejudice acquired in musical consumption of future teachers, about 78 students in Ciudad Real University “UCLM” (Education College). The investigation follows a mixed methodology, qualitative as well as quantitative complemented by an experimental study with two main interventions one with the music and the other with exclusively the lyrics of the songs so that we can stablish the differences in perception modes, the ability of finding gender slants and the way they perpetue. Results show that subjects that deal with the song with music realice less gender slants in comparison with those who just read the lyrics of the songs. On the other hand, gender slant is perceived more clearly by feminine gender and specially in “reggaeton” songs, though it is not so clear in other music styles. However, differences in appreciation between the sexes decrease exposure to other musical styles.