About musical cities' moving forces: a critical debate
In A Força Movente da Música (2023), Micael Herschmann and Cintia SanMartin Fernandes present a mapping of the musical culture of four different cities in the state of Rio de Janeiro, based on what they call "sensitive cartography". We seek to point out the characteristics of this contribu...
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| Tipo de recurso: | artículo |
| Estado: | Versión publicada |
| Fecha de publicación: | 2024 |
| País: | Brasil |
| Institución: | Pontifícia Universidade Católica do Rio Grande do Sul (PUCRS) |
| Repositorio: | Revista FAMECOS: Mídia cultura e tecnologia |
| Idioma: | portugués |
| OAI Identifier: | oai:ojs.revistaseletronicas.pucrs.br:article/45601 |
| Acceso en línea: | https://revistaseletronicas.pucrs.br/revistafamecos/article/view/45601 |
| Access Level: | acceso abierto |
| Palabra clave: | Music cartography Sensitivity Musica Cartografia Sensibilidad Música Sensibilidade |
| Sumario: | In A Força Movente da Música (2023), Micael Herschmann and Cintia SanMartin Fernandes present a mapping of the musical culture of four different cities in the state of Rio de Janeiro, based on what they call "sensitive cartography". We seek to point out the characteristics of this contribution and possible connections with other research in the field of cartographic methodologies and sensitivity in circulation in the field of Communication. |
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