Reflexiones sobre la procedencia y evolución del “ritmo” en la monodia litúrgica y polifonía medieval (y II)
[EN] This paper follows the contents of its pre vious part (AnM 62, 2007, 39-74), dealing with the provenance and evolution of rhythm in Western music. The questions here exposed, come from reading noteworthy writings on music from the Christian Antiquity till the shaping of mensural notation, towar...
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| Tipo de recurso: | artículo |
| Estado: | Versión publicada |
| Fecha de publicación: | 2009 |
| País: | España |
| Institución: | Consejo Superior de Investigaciones Científicas (CSIC) |
| Repositorio: | DIGITAL.CSIC. Repositorio Institucional del CSIC |
| OAI Identifier: | oai:digital.csic.es:10261/230178 |
| Acceso en línea: | http://hdl.handle.net/10261/230178 |
| Access Level: | acceso abierto |
| Palabra clave: | Liturgical Monody Medieval Polyphony Rhythm Metre Accent Quantity Mensura Music-language Latin writers |
| Sumario: | [EN] This paper follows the contents of its pre vious part (AnM 62, 2007, 39-74), dealing with the provenance and evolution of rhythm in Western music. The questions here exposed, come from reading noteworthy writings on music from the Christian Antiquity till the shaping of mensural notation, towards the second half of the 13th century. This second part is based on Latin writers of music, from Augustine till the 13th century. |
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