Interlinguistic crosses and transextuality in María Rosal

The objective of this article is to analyse the different textual strategies with which María Rosal Nadales makes a transtextual construction in her anthology "Al este del andén". The use of this technique responds to different reasons: the active role that is assigned to the reader and th...

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Detalles Bibliográficos
Autores: Arriaga Flórez, Mercedes, Cerrato, Daniele, Della Rocca, Gianni
Tipo de recurso: artículo
Estado:Versión publicada
Fecha de publicación:2018
País:España
Institución:Universidad de Sevilla (US)
Repositorio:idUS. Depósito de Investigación de la Universidad de Sevilla
OAI Identifier:oai:idus.us.es:11441/151700
Acceso en línea:https://hdl.handle.net/11441/151700
https://doi.org/10.36575/2353-2912/1(6)2018.011
Access Level:acceso abierto
Palabra clave:María Rosal
Poetry
Interlinguistic crosses
Transtextuality
Gender
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spelling Interlinguistic crosses and transextuality in María RosalArriaga Flórez, MercedesCerrato, DanieleDella Rocca, GianniMaría RosalPoetryInterlinguistic crossesTranstextualityGenderThe objective of this article is to analyse the different textual strategies with which María Rosal Nadales makes a transtextual construction in her anthology "Al este del andén". The use of this technique responds to different reasons: the active role that is assigned to the reader and the playful character in which the writing is framed, the tribute to and poetic concordance with other authors, the surprise effect and the irony, the postmodern fusion of classical culture and popular culture and, finally, the ethical-aesthetic commitment to point out contradictions, create new metaphors and encourage the reader's reflection together with new ways of thinking, especially around the figure of the woman poet and the representation of the female body.Ateneum-Szkoła WyższaFilologías Integradas2018info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfapplication/pdfhttps://hdl.handle.net/11441/151700https://doi.org/10.36575/2353-2912/1(6)2018.011reponame:idUS. Depósito de Investigación de la Universidad de Sevillainstname:Universidad de Sevilla (US)InglésForum Filologiczne Ateneum, 1 (6), 11-21.https://doi.org/10.36575/2353-2912/1(6)2018.011info:eu-repo/semantics/openAccessoai:idus.us.es:11441/1517002026-06-17T12:51:07Z
dc.title.none.fl_str_mv Interlinguistic crosses and transextuality in María Rosal
title Interlinguistic crosses and transextuality in María Rosal
spellingShingle Interlinguistic crosses and transextuality in María Rosal
Arriaga Flórez, Mercedes
María Rosal
Poetry
Interlinguistic crosses
Transtextuality
Gender
title_short Interlinguistic crosses and transextuality in María Rosal
title_full Interlinguistic crosses and transextuality in María Rosal
title_fullStr Interlinguistic crosses and transextuality in María Rosal
title_full_unstemmed Interlinguistic crosses and transextuality in María Rosal
title_sort Interlinguistic crosses and transextuality in María Rosal
dc.creator.none.fl_str_mv Arriaga Flórez, Mercedes
Cerrato, Daniele
Della Rocca, Gianni
author Arriaga Flórez, Mercedes
author_facet Arriaga Flórez, Mercedes
Cerrato, Daniele
Della Rocca, Gianni
author_role author
author2 Cerrato, Daniele
Della Rocca, Gianni
author2_role author
author
dc.contributor.none.fl_str_mv Filologías Integradas
dc.subject.none.fl_str_mv María Rosal
Poetry
Interlinguistic crosses
Transtextuality
Gender
topic María Rosal
Poetry
Interlinguistic crosses
Transtextuality
Gender
description The objective of this article is to analyse the different textual strategies with which María Rosal Nadales makes a transtextual construction in her anthology "Al este del andén". The use of this technique responds to different reasons: the active role that is assigned to the reader and the playful character in which the writing is framed, the tribute to and poetic concordance with other authors, the surprise effect and the irony, the postmodern fusion of classical culture and popular culture and, finally, the ethical-aesthetic commitment to point out contradictions, create new metaphors and encourage the reader's reflection together with new ways of thinking, especially around the figure of the woman poet and the representation of the female body.
publishDate 2018
dc.date.none.fl_str_mv 2018
dc.type.none.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.none.fl_str_mv https://hdl.handle.net/11441/151700
https://doi.org/10.36575/2353-2912/1(6)2018.011
url https://hdl.handle.net/11441/151700
https://doi.org/10.36575/2353-2912/1(6)2018.011
dc.language.none.fl_str_mv Inglés
language_invalid_str_mv Inglés
dc.relation.none.fl_str_mv Forum Filologiczne Ateneum, 1 (6), 11-21.
https://doi.org/10.36575/2353-2912/1(6)2018.011
dc.rights.none.fl_str_mv info:eu-repo/semantics/openAccess
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
application/pdf
dc.publisher.none.fl_str_mv Ateneum-Szkoła Wyższa
publisher.none.fl_str_mv Ateneum-Szkoła Wyższa
dc.source.none.fl_str_mv reponame:idUS. Depósito de Investigación de la Universidad de Sevilla
instname:Universidad de Sevilla (US)
instname_str Universidad de Sevilla (US)
reponame_str idUS. Depósito de Investigación de la Universidad de Sevilla
collection idUS. Depósito de Investigación de la Universidad de Sevilla
repository.name.fl_str_mv
repository.mail.fl_str_mv
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