Capturing the recent history of public affairs occupational culture: a comparative case study on the image of lobbying in the early 21st century
This article analyzes the narrative structures of two audiovisual products from the point of view of public relations cinematic discourse: the documentary State Legislature, directed by Frederick Wiseman, and the TV series K Street, created and directed by Steven Soderbergh. Both productions capture...
| Autores: | , |
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| Tipo de recurso: | artículo |
| Estado: | Versión aceptada para publicación |
| Fecha de publicación: | 2015 |
| País: | España |
| Institución: | Universitat Pompeu Fabra |
| Repositorio: | Repositorio Digital de la UPF |
| OAI Identifier: | oai:repositori.upf.edu:10230/56702 |
| Acceso en línea: | http://hdl.handle.net/10230/56702 http://dx.doi.org/10.1016/j.pubrev.2013.12.002 |
| Access Level: | acceso abierto |
| Palabra clave: | Frederick Wiseman Lobbying Media representations Public affairs Steven Soderbergh |
| Sumario: | This article analyzes the narrative structures of two audiovisual products from the point of view of public relations cinematic discourse: the documentary State Legislature, directed by Frederick Wiseman, and the TV series K Street, created and directed by Steven Soderbergh. Both productions capture the activity of lobbyists in the state and federal governmental arenas, are remarkable ethnographic exercises in analyzing the practice of lobbying in the United States and major examples of the media representation of corporate public affairs. Accordingly, State Legislature and K Street are key sources of the recent history of public relations occupational culture. |
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