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Behind the appearance gives a title to a series of works that arise from the need to foster the intuitive, imaginative and emotional capacity of our innermost being through a deep plastic analysis of the natural landscape It is through a methodological process that is adjusted to our particular expe...

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Detalhes bibliográficos
Autor: Pérez Cremades, Jaume
Formato: tesis de maestría
Fecha de publicación:2017
País:España
Recursos:Universitat Politècnica de València (UPV)
Repositorio:RiuNet. Repositorio Institucional de la Universitat Politécnica de Valéncia
Idioma:español
OAI Identifier:oai:riunet.upv.es:10251/92002
Acesso em linha:https://riunet.upv.es/handle/10251/92002
Access Level:acceso abierto
Palavra-chave:painting
intuition
plastic experimentation
graphics
matter.
pintura
intuición
experimentación plástica
grafismos
materia.
PINTURA
Máster Universitario en Producción Artística-Màster Universitari en Producció Artística
Descrição
Resumo:Behind the appearance gives a title to a series of works that arise from the need to foster the intuitive, imaginative and emotional capacity of our innermost being through a deep plastic analysis of the natural landscape It is through a methodological process that is adjusted to our particular experience of the natural environment as it is intended to carry out the production of a series of unpublished works that are based on a theoretical basis. The three main pillars on which this research will be based are: the use of intuition as a methodological tool, plastic experimentation and continuous formal renovation of the painting itself and the attempt to go beyond the evidence, predominating an informalist tendency as a strategy Creative and conceptual. We approach this experimentation from the pictorial matter, elaborated mainly with acrylic and agglutinated lands with latex.