#Mixedcouples on TikTok: Performative Hybridization and Identity in the Face of Discrimination

Spanish-Moroccan mixed couples exemplify a case of cultural hybridization that reflects the colonial past between these two countries. In this context, social media is a space of opportunity and risk to face discrimination and othering. In this article, we draw upon postcolonial theory and Internet...

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Detalles Bibliográficos
Autores: Civila de Dios, Sabina, Jaramillo Dent, Daniela
Tipo de recurso: artículo
Fecha de publicación:2022
País:España
Institución:Universidad de Huelva (UHU)
Repositorio:Arias Montano. Repositorio Institucional de la Universidad de Huelva
Idioma:inglés
OAI Identifier:oai:ariasmontano.uhu.es:10272/22057
Acceso en línea:https://hdl.handle.net/10272/22057
Access Level:acceso abierto
Palabra clave:Mixed couples
TikTok
Cultural hybridization
Affordances
Social media
Islamophobia
63 Sociología
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repository_id_str
spelling #Mixedcouples on TikTok: Performative Hybridization and Identity in the Face of DiscriminationCivila de Dios, SabinaJaramillo Dent, DanielaMixed couplesTikTokCultural hybridizationAffordancesSocial mediaIslamophobia63 SociologíaSpanish-Moroccan mixed couples exemplify a case of cultural hybridization that reflects the colonial past between these two countries. In this context, social media is a space of opportunity and risk to face discrimination and othering. In this article, we draw upon postcolonial theory and Internet studies to consider TikTok affordances as tools that are relevant to understand how cultural, national, and religious identities are shaped and presented in digital spaces. In this sense, this study constitutes the first exploratory analysis of Moroccan-Spanish mixed couples' (self)representations and identity construction as reflected by their TikTok content. The memetic and intersectional aspects of the mixed-couple identity emerge as central in the convergent nature of the platform and their lived experiences. Through an initial analysis of 8,653 TikTok videos, we identified 6 creator accounts with more than 10K followers to conduct a deeper multimodal content and discourse analysis of 146 videos. This enabled us to explore how these creators portray their hybrid identity through short, vertical videos harnessing TikTok's vernaculars and affordances. The results enable us to propose the concept of performative hybridization, which involves discursive markers within these couples’ TikTok content that reflect a fluid integration of two cultures, while the pervading visual and narrative components reflect the dominance of one set of identity traits over the other. In this case, Moroccan culture is more prevalent.SAGE20222022-01-0120222022-01-01journal articlehttp://purl.org/coar/resource_type/c_6501VoRhttp://purl.org/coar/version/c_970fb48d4fbd8a85info:eu-repo/semantics/articleapplication/pdfhttps://hdl.handle.net/10272/22057reponame:Arias Montano. Repositorio Institucional de la Universidad de Huelvainstname:Universidad de Huelva (UHU)Inglésengopen accesshttp://purl.org/coar/access_right/c_abf2Atribución-NoComercial-SinDerivadas 3.0 Españahttp://creativecommons.org/licenses/by-nc-nd/3.0/es/info:eu-repo/semantics/openAccessoai:ariasmontano.uhu.es:10272/220572026-06-02T14:58:11Z
dc.title.none.fl_str_mv #Mixedcouples on TikTok: Performative Hybridization and Identity in the Face of Discrimination
title #Mixedcouples on TikTok: Performative Hybridization and Identity in the Face of Discrimination
spellingShingle #Mixedcouples on TikTok: Performative Hybridization and Identity in the Face of Discrimination
Civila de Dios, Sabina
Mixed couples
TikTok
Cultural hybridization
Affordances
Social media
Islamophobia
63 Sociología
title_short #Mixedcouples on TikTok: Performative Hybridization and Identity in the Face of Discrimination
title_full #Mixedcouples on TikTok: Performative Hybridization and Identity in the Face of Discrimination
title_fullStr #Mixedcouples on TikTok: Performative Hybridization and Identity in the Face of Discrimination
title_full_unstemmed #Mixedcouples on TikTok: Performative Hybridization and Identity in the Face of Discrimination
title_sort #Mixedcouples on TikTok: Performative Hybridization and Identity in the Face of Discrimination
dc.creator.none.fl_str_mv Civila de Dios, Sabina
Jaramillo Dent, Daniela
author Civila de Dios, Sabina
author_facet Civila de Dios, Sabina
Jaramillo Dent, Daniela
author_role author
author2 Jaramillo Dent, Daniela
author2_role author
dc.contributor.none.fl_str_mv
dc.subject.none.fl_str_mv Mixed couples
TikTok
Cultural hybridization
Affordances
Social media
Islamophobia
63 Sociología
topic Mixed couples
TikTok
Cultural hybridization
Affordances
Social media
Islamophobia
63 Sociología
description Spanish-Moroccan mixed couples exemplify a case of cultural hybridization that reflects the colonial past between these two countries. In this context, social media is a space of opportunity and risk to face discrimination and othering. In this article, we draw upon postcolonial theory and Internet studies to consider TikTok affordances as tools that are relevant to understand how cultural, national, and religious identities are shaped and presented in digital spaces. In this sense, this study constitutes the first exploratory analysis of Moroccan-Spanish mixed couples' (self)representations and identity construction as reflected by their TikTok content. The memetic and intersectional aspects of the mixed-couple identity emerge as central in the convergent nature of the platform and their lived experiences. Through an initial analysis of 8,653 TikTok videos, we identified 6 creator accounts with more than 10K followers to conduct a deeper multimodal content and discourse analysis of 146 videos. This enabled us to explore how these creators portray their hybrid identity through short, vertical videos harnessing TikTok's vernaculars and affordances. The results enable us to propose the concept of performative hybridization, which involves discursive markers within these couples’ TikTok content that reflect a fluid integration of two cultures, while the pervading visual and narrative components reflect the dominance of one set of identity traits over the other. In this case, Moroccan culture is more prevalent.
publishDate 2022
dc.date.none.fl_str_mv 2022
2022-01-01
2022
2022-01-01
dc.type.none.fl_str_mv journal article
http://purl.org/coar/resource_type/c_6501
VoR
http://purl.org/coar/version/c_970fb48d4fbd8a85
dc.type.openaire.fl_str_mv info:eu-repo/semantics/article
format article
dc.identifier.none.fl_str_mv https://hdl.handle.net/10272/22057
url https://hdl.handle.net/10272/22057
dc.language.none.fl_str_mv Inglés
eng
language_invalid_str_mv Inglés
language eng
dc.rights.none.fl_str_mv open access
http://purl.org/coar/access_right/c_abf2
Atribución-NoComercial-SinDerivadas 3.0 España
http://creativecommons.org/licenses/by-nc-nd/3.0/es/
dc.rights.openaire.fl_str_mv info:eu-repo/semantics/openAccess
rights_invalid_str_mv open access
http://purl.org/coar/access_right/c_abf2
Atribución-NoComercial-SinDerivadas 3.0 España
http://creativecommons.org/licenses/by-nc-nd/3.0/es/
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv SAGE
publisher.none.fl_str_mv SAGE
dc.source.none.fl_str_mv reponame:Arias Montano. Repositorio Institucional de la Universidad de Huelva
instname:Universidad de Huelva (UHU)
instname_str Universidad de Huelva (UHU)
reponame_str Arias Montano. Repositorio Institucional de la Universidad de Huelva
collection Arias Montano. Repositorio Institucional de la Universidad de Huelva
repository.name.fl_str_mv
repository.mail.fl_str_mv
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