El rompecabezas del arte contemporáneo: Incertidumbres, novedad y aburrimiento
[EN] Through the promotion and spread of museums, art galleries, biennials, academic research, etc., contemporary art has become an important subject since the late 20th century. Contemporary art was once a fashionable term, but it is also a term full of uncertainties and challenges. This investigat...
| Autores: | , |
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| Tipo de recurso: | artículo |
| Fecha de publicación: | 2022 |
| País: | España |
| Institución: | Universitat Politècnica de València (UPV) |
| Repositorio: | RiuNet. Repositorio Institucional de la Universitat Politécnica de Valéncia |
| Idioma: | español |
| OAI Identifier: | oai:riunet.upv.es:10251/182734 |
| Acceso en línea: | https://riunet.upv.es/handle/10251/182734 |
| Access Level: | acceso abierto |
| Palabra clave: | Contemporary art Uncertainty Novelty Boredom Repetition Avant-garde art Arte contemporáneo Incertidumbre Novedad Aburrimiento Repetición Arte vanguardista |
| Sumario: | [EN] Through the promotion and spread of museums, art galleries, biennials, academic research, etc., contemporary art has become an important subject since the late 20th century. Contemporary art was once a fashionable term, but it is also a term full of uncertainties and challenges. This investigation will discuss contemporary art through time, space and originality, and will explore the reality of boredom caused by contemporary art s lack of newness. One of the biggest challenges of contemporary art is its temporality: determining the exact timeline of contemporary art is a perpetual topic of debate. Moreover, in terms of space, international contemporary art exhibitions are frequently dominated by Western art. How, then, is it possible to increase representation of the contemporary art from different territory without any prejudice? On the other hand, as contemporary art has followed the development of the artistic language of avant-garde art, its originality and novelty have been widely questioned. Its characteristic of repetition causes a reduction in novelty, ultimately bringing its viewers into boredom. But is this really the fate of contemporary art? Structuralists and deconstructionists explore the relationship between contemporary art and avant-garde art from different perspectives, dismantling the power and originality of the latter. However, is this type of analysis really a reliable and meaningful way to interpret contemporary art? Or does it take contemporary art further into nihility and boredom? All of these issues will be explored in this investigation. |
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