Et Verbum Caro Factum Est: Monstrosity and Transcorporeality in Mexican Gothic

[EN] Mexican Gothic by Silvia Moreno García analyses the social situation of Mexico of the 1950s. A female gothic heroine guides the reader from a quiet town to a haunted house located in a remote village. She unveils the secrets of the Doyle’s family, hidden behind the walls of the manor and in the...

Descripción completa

Detalles Bibliográficos
Autor: Martín Junquera, Imelda
Tipo de recurso: artículo
Estado:Versión publicada
Fecha de publicación:2024
País:España
Institución:Universidad de León
Repositorio:BULERIA. Repositorio Institucional de la Universidad de León
OAI Identifier:oai:buleria.unileon.es:10612/24631
Acceso en línea:https://riull.ull.es/xmlui/handle/915/39779
https://hdl.handle.net/10612/24631
Access Level:acceso abierto
Palabra clave:Lengua española
Literatura
Literatura comparada
Decolonial Thinking
Haunted House
Monstrosity
Sorority
Transcorporeality
Pensamiento decolonial
Casa encantada
Monstruosidad
Sororidad
Transcorporalidad
5701.07 Lengua y Literatura
Descripción
Sumario:[EN] Mexican Gothic by Silvia Moreno García analyses the social situation of Mexico of the 1950s. A female gothic heroine guides the reader from a quiet town to a haunted house located in a remote village. She unveils the secrets of the Doyle’s family, hidden behind the walls of the manor and in the crypt, and investigates the relationship of the members of the house with the house, while they keep her trapped inside. Noemí, the protagonist is helped by the ghost of Ruth, a deceased member of the family, and both women together end the rule of the patriarch of the family, Howard Doyle. The final collapse of the house and the death of the members of the family means an end to the colonial period of the area leaving the local inhabitants and the surrounding environment free from submission. The aim of this article is to show how ecogothic serves as a theoretical approach to denounce the submission of the human and the more than human by means of colonial practices beside demonstrating that the real monsters are the colonizers.