The representation of monsters and monstrosities in Literature and Cinema: transformation in A terceira margem do rio, by Nelson Pereira dos Santos
The intention has this text to argue where measured the representation of the monsters and the monstrosities occurs as discursive construction in the film the Third Edge of the River (1994), Nelson Pereira Dos Santos, who congregates, in one alone body, six of First the Estórias, Guimarães Rosa, Seq...
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| Tipo de recurso: | artículo |
| Estado: | Versión publicada |
| Fecha de publicación: | 2011 |
| País: | Brasil |
| Institución: | Pontifícia Universidade Católica do Rio Grande do Sul (PUCRS) |
| Repositorio: | Letras de Hoje (Online) |
| Idioma: | portugués |
| OAI Identifier: | oai:ojs.revistaseletronicas.pucrs.br:article/7215 |
| Acceso en línea: | https://revistaseletronicas.pucrs.br/fale/article/view/7215 |
| Access Level: | acceso abierto |
| Palabra clave: | Monsters and monstrosities literature and cinema intersemiótica translation Monstros e monstruosidades literatura e cinema tradução intersemiótica Literatura brasileira |
| Sumario: | The intention has this text to argue where measured the representation of the monsters and the monstrosities occurs as discursive construction in the film the Third Edge of the River (1994), Nelson Pereira Dos Santos, who congregates, in one alone body, six of First the Estórias, Guimarães Rosa, Sequência, Fatality, the girl of there, the edges of the joy and the Dagobé Brothers. |
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