Back to the point: new datings for la Peña de Candamo Cave art (Asturias)

La Peña de Candamo was discovered by the scientific community in 1914, being one of the first known caves in the Cantabrian region, and declared a UNESCO World Heritage site in 2008. The only monographic study of its parietal art was led and published by E. Hernández Pacheco in 1919, showing excepti...

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Detalhes bibliográficos
Autores: Corchón Rodríguez, Soledad, Garate Maidagan, Diego|||0000-0001-6685-9588, Valladas, Hélène, Rivero Vilá, Olivia, Pons Branchu, Edwige, Ortega, Paula, Hernando, Clara
Tipo de documento: artigo
Data de publicação:2014
País:España
Recursos:Universidad de Cantabria (UC)
Repositório:UCrea Repositorio Abierto de la Universidad de Cantabria
Idioma:inglês
OAI Identifier:oai:repositorio.unican.es:10902/28902
Acesso em linha:https://hdl.handle.net/10902/28902
Access Level:Acceso aberto
Palavra-chave:Rock art
Upper palaeolithic
Chronology
Radiocarbon
Cantabrian region
Arte parietal
Paleolítico superior
Radiocarbono
Cronología
Región cantábrica
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spelling Back to the point: new datings for la Peña de Candamo Cave art (Asturias)De vuelta al punto de partida: Nuevas dataciones del arte de la Cueva de la Peña de Candamo (Asturias)Corchón Rodríguez, SoledadGarate Maidagan, Diego|||0000-0001-6685-9588Valladas, HélèneRivero Vilá, OliviaPons Branchu, EdwigeOrtega, PaulaHernando, ClaraRock artUpper palaeolithicChronologyRadiocarbonCantabrian regionArte parietalPaleolítico superiorRadiocarbonoCronologíaRegión cantábricaLa Peña de Candamo was discovered by the scientific community in 1914, being one of the first known caves in the Cantabrian region, and declared a UNESCO World Heritage site in 2008. The only monographic study of its parietal art was led and published by E. Hernández Pacheco in 1919, showing exceptional complexity and graphic density. In 2007, a new research project was launched to update all the information related to the cave's parietal art from a multidisciplinary perspective. Within this context, and starting from the radiocarbon tests made by J. Fortea in the late 20th century, tests have been conducted at the Gif-sur-Yvette to date a series of black dots located on the "Engraving's Wall". The fact that the results are di - fferent to those published to date leads to the discussion as to which to accept based on the followed metho - dologies and protocols. Likewise, the implications of these results in the decorating of the cave and their place within the artistic production of the region during the Upper Palaeolithic period are also analysedUniversidad de SalamancaUniversidad de Cantabria20142014-01-01journal articlehttp://purl.org/coar/resource_type/c_6501NAhttp://purl.org/coar/version/c_be7fb7dd8ff6fe43info:eu-repo/semantics/articlehttps://hdl.handle.net/10902/28902Zephyrus: Revista de prehistoria y arqueología, 2014, 73, 67-81reponame:UCrea Repositorio Abierto de la Universidad de Cantabriainstname:Universidad de Cantabria (UC)Inglésengopen accesshttp://purl.org/coar/access_right/c_abf2Attribution-NonCommercial-NoDerivatives 4.0 Internationalhttp://creativecommons.org/licenses/by-nc-nd/4.0/info:eu-repo/semantics/openAccessoai:repositorio.unican.es:10902/289022026-06-02T12:39:31Z
dc.title.none.fl_str_mv Back to the point: new datings for la Peña de Candamo Cave art (Asturias)
De vuelta al punto de partida: Nuevas dataciones del arte de la Cueva de la Peña de Candamo (Asturias)
title Back to the point: new datings for la Peña de Candamo Cave art (Asturias)
spellingShingle Back to the point: new datings for la Peña de Candamo Cave art (Asturias)
Corchón Rodríguez, Soledad
Rock art
Upper palaeolithic
Chronology
Radiocarbon
Cantabrian region
Arte parietal
Paleolítico superior
Radiocarbono
Cronología
Región cantábrica
title_short Back to the point: new datings for la Peña de Candamo Cave art (Asturias)
title_full Back to the point: new datings for la Peña de Candamo Cave art (Asturias)
title_fullStr Back to the point: new datings for la Peña de Candamo Cave art (Asturias)
title_full_unstemmed Back to the point: new datings for la Peña de Candamo Cave art (Asturias)
title_sort Back to the point: new datings for la Peña de Candamo Cave art (Asturias)
dc.creator.none.fl_str_mv Corchón Rodríguez, Soledad
Garate Maidagan, Diego|||0000-0001-6685-9588
Valladas, Hélène
Rivero Vilá, Olivia
Pons Branchu, Edwige
Ortega, Paula
Hernando, Clara
author Corchón Rodríguez, Soledad
author_facet Corchón Rodríguez, Soledad
Garate Maidagan, Diego|||0000-0001-6685-9588
Valladas, Hélène
Rivero Vilá, Olivia
Pons Branchu, Edwige
Ortega, Paula
Hernando, Clara
author_role author
author2 Garate Maidagan, Diego|||0000-0001-6685-9588
Valladas, Hélène
Rivero Vilá, Olivia
Pons Branchu, Edwige
Ortega, Paula
Hernando, Clara
author2_role author
author
author
author
author
author
dc.contributor.none.fl_str_mv Universidad de Cantabria
dc.subject.none.fl_str_mv Rock art
Upper palaeolithic
Chronology
Radiocarbon
Cantabrian region
Arte parietal
Paleolítico superior
Radiocarbono
Cronología
Región cantábrica
topic Rock art
Upper palaeolithic
Chronology
Radiocarbon
Cantabrian region
Arte parietal
Paleolítico superior
Radiocarbono
Cronología
Región cantábrica
description La Peña de Candamo was discovered by the scientific community in 1914, being one of the first known caves in the Cantabrian region, and declared a UNESCO World Heritage site in 2008. The only monographic study of its parietal art was led and published by E. Hernández Pacheco in 1919, showing exceptional complexity and graphic density. In 2007, a new research project was launched to update all the information related to the cave's parietal art from a multidisciplinary perspective. Within this context, and starting from the radiocarbon tests made by J. Fortea in the late 20th century, tests have been conducted at the Gif-sur-Yvette to date a series of black dots located on the "Engraving's Wall". The fact that the results are di - fferent to those published to date leads to the discussion as to which to accept based on the followed metho - dologies and protocols. Likewise, the implications of these results in the decorating of the cave and their place within the artistic production of the region during the Upper Palaeolithic period are also analysed
publishDate 2014
dc.date.none.fl_str_mv 2014
2014-01-01
dc.type.none.fl_str_mv journal article
http://purl.org/coar/resource_type/c_6501
NA
http://purl.org/coar/version/c_be7fb7dd8ff6fe43
dc.type.openaire.fl_str_mv info:eu-repo/semantics/article
format article
dc.identifier.none.fl_str_mv https://hdl.handle.net/10902/28902
url https://hdl.handle.net/10902/28902
dc.language.none.fl_str_mv Inglés
eng
language_invalid_str_mv Inglés
language eng
dc.rights.none.fl_str_mv open access
http://purl.org/coar/access_right/c_abf2
Attribution-NonCommercial-NoDerivatives 4.0 International
http://creativecommons.org/licenses/by-nc-nd/4.0/
dc.rights.openaire.fl_str_mv info:eu-repo/semantics/openAccess
rights_invalid_str_mv open access
http://purl.org/coar/access_right/c_abf2
Attribution-NonCommercial-NoDerivatives 4.0 International
http://creativecommons.org/licenses/by-nc-nd/4.0/
eu_rights_str_mv openAccess
dc.publisher.none.fl_str_mv Universidad de Salamanca
publisher.none.fl_str_mv Universidad de Salamanca
dc.source.none.fl_str_mv Zephyrus: Revista de prehistoria y arqueología, 2014, 73, 67-81
reponame:UCrea Repositorio Abierto de la Universidad de Cantabria
instname:Universidad de Cantabria (UC)
instname_str Universidad de Cantabria (UC)
reponame_str UCrea Repositorio Abierto de la Universidad de Cantabria
collection UCrea Repositorio Abierto de la Universidad de Cantabria
repository.name.fl_str_mv
repository.mail.fl_str_mv
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score 15.300719

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