Back to the point: new datings for la Peña de Candamo Cave art (Asturias)

La Peña de Candamo was discovered by the scientific community in 1914, being one of the first known caves in the Cantabrian region, and declared a UNESCO World Heritage site in 2008. The only monographic study of its parietal art was led and published by E. Hernández Pacheco in 1919, showing excepti...

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Detalles Bibliográficos
Autores: Corchón Rodríguez, Soledad, Garate Maidagan, Diego|||0000-0001-6685-9588, Valladas, Hélène, Rivero Vilá, Olivia, Pons Branchu, Edwige, Ortega, Paula, Hernando, Clara
Tipo de recurso: artículo
Fecha de publicación:2014
País:España
Institución:Universidad de Cantabria (UC)
Repositorio:UCrea Repositorio Abierto de la Universidad de Cantabria
Idioma:inglés
OAI Identifier:oai:repositorio.unican.es:10902/28902
Acceso en línea:https://hdl.handle.net/10902/28902
Access Level:acceso abierto
Palabra clave:Rock art
Upper palaeolithic
Chronology
Radiocarbon
Cantabrian region
Arte parietal
Paleolítico superior
Radiocarbono
Cronología
Región cantábrica
Descripción
Sumario:La Peña de Candamo was discovered by the scientific community in 1914, being one of the first known caves in the Cantabrian region, and declared a UNESCO World Heritage site in 2008. The only monographic study of its parietal art was led and published by E. Hernández Pacheco in 1919, showing exceptional complexity and graphic density. In 2007, a new research project was launched to update all the information related to the cave's parietal art from a multidisciplinary perspective. Within this context, and starting from the radiocarbon tests made by J. Fortea in the late 20th century, tests have been conducted at the Gif-sur-Yvette to date a series of black dots located on the "Engraving's Wall". The fact that the results are di - fferent to those published to date leads to the discussion as to which to accept based on the followed metho - dologies and protocols. Likewise, the implications of these results in the decorating of the cave and their place within the artistic production of the region during the Upper Palaeolithic period are also analysed