Powdered cellulose microblasting: a useful technique for dry‑cleaning the reverse side of canvas paintings

<p>This study evaluates the effectiveness of microblasting with powdered cellulose for the dry-cleaning of canvases. Various surface cleaning tests were conducted by microblasting on the reverse of canvas paintings and the results were compared to those obtained with traditional dry-cleaning t...

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Detalles Bibliográficos
Autores: Bautista Morenilla, Iris, Ruiz Recasens, Cristina, Iglesias Campos, M. A. (Manuel Ángel), Oriola Folch, Marta
Tipo de recurso: artículo
Estado:Versión publicada
Fecha de publicación:2022
País:España
Institución:Universidad de Barcelona
Repositorio:Dipòsit Digital de la UB
OAI Identifier:oai:diposit.ub.edu:2445/215507
Acceso en línea:https://hdl.handle.net/2445/215507
Access Level:acceso abierto
Palabra clave:Conservació i restauració d'obres d'art
Pintura
Conservation and restoration of art
Painting
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spelling Powdered cellulose microblasting: a useful technique for dry‑cleaning the reverse side of canvas paintingsBautista Morenilla, IrisRuiz Recasens, CristinaIglesias Campos, M. A. (Manuel Ángel)Oriola Folch, MartaConservació i restauració d'obres d'artPinturaConservation and restoration of artPainting<p>This study evaluates the effectiveness of microblasting with powdered cellulose for the dry-cleaning of canvases. Various surface cleaning tests were conducted by microblasting on the reverse of canvas paintings and the results were compared to those obtained with traditional dry-cleaning techniques using erasers and sponges. To assess cleaning effectiveness and potential changes on the support, the treated surfaces were examined both before and after cleaning using optical microscopy (OM), scanning electron microscopy with energy dispersive X-ray spectroscopy (SEM-EDX), confocal laser microscopy with surface roughness measurements, and spectrophotometry. The results from this comparative evaluation suggest that microblasting with powdered cellulose is a feasible technique for removing soiling on canvas and that it does not affect canvas structure or its topography. Furthermore, powdered cellulose leaves fewer particles of residues on the surface after cleaning, and these residues are chemically stable and compatible with the canvas support. Thus, the technique also avoids the potential negative long-term effects of eraser and sponge residues of particles that may remain on the canvas when these traditional systems are used.</p>Springer Open2022info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://hdl.handle.net/2445/215507Articles publicats en revistes (Arts Conservació-Restauració)reponame:Dipòsit Digital de la UBinstname:Universidad de BarcelonaInglésReproducció del document publicat a: https://doi.org/10.1186/s40494-022-00796-1Heritage Science, 2022, vol. 10, num.170, p. 1-19https://doi.org/10.1186/s40494-022-00796-1cc-by (c) BautistaMorenilla, Iris et al., 2022http://creativecommons.org/licenses/by/4.0/info:eu-repo/semantics/openAccessoai:diposit.ub.edu:2445/2155072026-05-27T06:46:51Z
dc.title.none.fl_str_mv Powdered cellulose microblasting: a useful technique for dry‑cleaning the reverse side of canvas paintings
title Powdered cellulose microblasting: a useful technique for dry‑cleaning the reverse side of canvas paintings
spellingShingle Powdered cellulose microblasting: a useful technique for dry‑cleaning the reverse side of canvas paintings
Bautista Morenilla, Iris
Conservació i restauració d'obres d'art
Pintura
Conservation and restoration of art
Painting
title_short Powdered cellulose microblasting: a useful technique for dry‑cleaning the reverse side of canvas paintings
title_full Powdered cellulose microblasting: a useful technique for dry‑cleaning the reverse side of canvas paintings
title_fullStr Powdered cellulose microblasting: a useful technique for dry‑cleaning the reverse side of canvas paintings
title_full_unstemmed Powdered cellulose microblasting: a useful technique for dry‑cleaning the reverse side of canvas paintings
title_sort Powdered cellulose microblasting: a useful technique for dry‑cleaning the reverse side of canvas paintings
dc.creator.none.fl_str_mv Bautista Morenilla, Iris
Ruiz Recasens, Cristina
Iglesias Campos, M. A. (Manuel Ángel)
Oriola Folch, Marta
author Bautista Morenilla, Iris
author_facet Bautista Morenilla, Iris
Ruiz Recasens, Cristina
Iglesias Campos, M. A. (Manuel Ángel)
Oriola Folch, Marta
author_role author
author2 Ruiz Recasens, Cristina
Iglesias Campos, M. A. (Manuel Ángel)
Oriola Folch, Marta
author2_role author
author
author
dc.subject.none.fl_str_mv Conservació i restauració d'obres d'art
Pintura
Conservation and restoration of art
Painting
topic Conservació i restauració d'obres d'art
Pintura
Conservation and restoration of art
Painting
description <p>This study evaluates the effectiveness of microblasting with powdered cellulose for the dry-cleaning of canvases. Various surface cleaning tests were conducted by microblasting on the reverse of canvas paintings and the results were compared to those obtained with traditional dry-cleaning techniques using erasers and sponges. To assess cleaning effectiveness and potential changes on the support, the treated surfaces were examined both before and after cleaning using optical microscopy (OM), scanning electron microscopy with energy dispersive X-ray spectroscopy (SEM-EDX), confocal laser microscopy with surface roughness measurements, and spectrophotometry. The results from this comparative evaluation suggest that microblasting with powdered cellulose is a feasible technique for removing soiling on canvas and that it does not affect canvas structure or its topography. Furthermore, powdered cellulose leaves fewer particles of residues on the surface after cleaning, and these residues are chemically stable and compatible with the canvas support. Thus, the technique also avoids the potential negative long-term effects of eraser and sponge residues of particles that may remain on the canvas when these traditional systems are used.</p>
publishDate 2022
dc.date.none.fl_str_mv 2022
dc.type.none.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.none.fl_str_mv https://hdl.handle.net/2445/215507
url https://hdl.handle.net/2445/215507
dc.language.none.fl_str_mv Inglés
language_invalid_str_mv Inglés
dc.relation.none.fl_str_mv Reproducció del document publicat a: https://doi.org/10.1186/s40494-022-00796-1
Heritage Science, 2022, vol. 10, num.170, p. 1-19
https://doi.org/10.1186/s40494-022-00796-1
dc.rights.none.fl_str_mv cc-by (c) BautistaMorenilla, Iris et al., 2022
http://creativecommons.org/licenses/by/4.0/
info:eu-repo/semantics/openAccess
rights_invalid_str_mv cc-by (c) BautistaMorenilla, Iris et al., 2022
http://creativecommons.org/licenses/by/4.0/
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Springer Open
publisher.none.fl_str_mv Springer Open
dc.source.none.fl_str_mv Articles publicats en revistes (Arts Conservació-Restauració)
reponame:Dipòsit Digital de la UB
instname:Universidad de Barcelona
instname_str Universidad de Barcelona
reponame_str Dipòsit Digital de la UB
collection Dipòsit Digital de la UB
repository.name.fl_str_mv
repository.mail.fl_str_mv
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