Vestir la pintura: el mite de 'la parisenca' i Ramon Casas

[eng] The second half of the nineteenth century saw the development of the «myth» of the Parisian woman as a modern fashion icon in the arts and literature. Some painters and illustrators of Catalan modernism, including Ramon Casas, were particularly inspired by the model of the young «Parisienne» a...

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Detalles Bibliográficos
Autor: Aragonès Riu, Núria
Tipo de recurso: artículo
Estado:Versión publicada
Fecha de publicación:2016
País:España
Institución:Varias* (Consorci de Biblioteques Universitáries de Catalunya, Centre de Serveis Científics i Acadèmics de Catalunya)
Repositorio:Recercat. Dipósit de la Recerca de Catalunya
OAI Identifier:oai:dnet:recercat____::a43062549ab436018232ec54637ce1cf
Acceso en línea:https://hdl.handle.net/2445/228673
Access Level:acceso abierto
Palabra clave:Iconografia
Moda
Pintura industrial
Modernisme
París (França)
Barcelona (Catalunya)
Casas, Ramon, 1866-1932
Iconography
Fashion
Industrial painting
Art nouveau
Paris (France)
Barcelona (Catalonia)
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oai_identifier_str oai:dnet:recercat____::a43062549ab436018232ec54637ce1cf
network_acronym_str ES
network_name_str España
repository_id_str
spelling Vestir la pintura: el mite de 'la parisenca' i Ramon CasasAragonès Riu, NúriaIconografiaModaPintura industrialModernismeParís (França)Barcelona (Catalunya)Casas, Ramon, 1866-1932IconographyFashionIndustrial paintingArt nouveauParis (France)Barcelona (Catalonia)Casas, Ramon, 1866-1932[eng] The second half of the nineteenth century saw the development of the «myth» of the Parisian woman as a modern fashion icon in the arts and literature. Some painters and illustrators of Catalan modernism, including Ramon Casas, were particularly inspired by the model of the young «Parisienne» and adopted this typified figure in their paintings. The main purpose of this article is to approach the relationship between those artists and the representation of fashion in the context of their artistic creation as well as to bring out the impact of the Parisian archetype.[fra] Depuis la deuxième moitié du XIXe siècle nous assistons à la construction du «mythe» de la Parisienne en tant qu’icône de mode et de modernité dans les arts et la littérature. Quelques peintres et dessinateurs du modernisme catalan, notamment Ramon Casas, adoptèrent le motif iconographique de la jeune femme parisienne et s’en servirent comme source d’inspiration pour habiller les femmes qui peuplaient leurs illustrations. Notre but ici est d’approcher les rapports que ces peintres entretinrent avec la mode dans le cadre de leur création artistique et d’en faire ressortir l’influence du modèle parisien.Centre de recherches interdisciplinaires sur les mondes ibériques et contemporains (CRIMIC)2026202620162026info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersion11 p.application/pdfhttps://hdl.handle.net/2445/228673Articles publicats en revistes (Història de l'Art)reponame:Recercat. Dipósit de la Recerca de Catalunyainstname:Varias* (Consorci de Biblioteques Universitáries de Catalunya, Centre de Serveis Científics i Acadèmics de Catalunya)CatalánReproducció del document publicat a: https://doi.org/10.4000/catalonia.2314Catalonia, 2016, num.18/1, p. 57-66https://doi.org/10.4000/catalonia.2314(c) Aragonès Riu, Núria, 2016info:eu-repo/semantics/openAccessoai:dnet:recercat____::a43062549ab436018232ec54637ce1cf2026-05-29T05:05:01Z
dc.title.none.fl_str_mv Vestir la pintura: el mite de 'la parisenca' i Ramon Casas
title Vestir la pintura: el mite de 'la parisenca' i Ramon Casas
spellingShingle Vestir la pintura: el mite de 'la parisenca' i Ramon Casas
Aragonès Riu, Núria
Iconografia
Moda
Pintura industrial
Modernisme
París (França)
Barcelona (Catalunya)
Casas, Ramon, 1866-1932
Iconography
Fashion
Industrial painting
Art nouveau
Paris (France)
Barcelona (Catalonia)
Casas, Ramon, 1866-1932
title_short Vestir la pintura: el mite de 'la parisenca' i Ramon Casas
title_full Vestir la pintura: el mite de 'la parisenca' i Ramon Casas
title_fullStr Vestir la pintura: el mite de 'la parisenca' i Ramon Casas
title_full_unstemmed Vestir la pintura: el mite de 'la parisenca' i Ramon Casas
title_sort Vestir la pintura: el mite de 'la parisenca' i Ramon Casas
dc.creator.none.fl_str_mv Aragonès Riu, Núria
author Aragonès Riu, Núria
author_facet Aragonès Riu, Núria
author_role author
dc.subject.none.fl_str_mv Iconografia
Moda
Pintura industrial
Modernisme
París (França)
Barcelona (Catalunya)
Casas, Ramon, 1866-1932
Iconography
Fashion
Industrial painting
Art nouveau
Paris (France)
Barcelona (Catalonia)
Casas, Ramon, 1866-1932
topic Iconografia
Moda
Pintura industrial
Modernisme
París (França)
Barcelona (Catalunya)
Casas, Ramon, 1866-1932
Iconography
Fashion
Industrial painting
Art nouveau
Paris (France)
Barcelona (Catalonia)
Casas, Ramon, 1866-1932
description [eng] The second half of the nineteenth century saw the development of the «myth» of the Parisian woman as a modern fashion icon in the arts and literature. Some painters and illustrators of Catalan modernism, including Ramon Casas, were particularly inspired by the model of the young «Parisienne» and adopted this typified figure in their paintings. The main purpose of this article is to approach the relationship between those artists and the representation of fashion in the context of their artistic creation as well as to bring out the impact of the Parisian archetype.
publishDate 2016
dc.date.none.fl_str_mv 2016
2026
2026
2026
dc.type.none.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.none.fl_str_mv https://hdl.handle.net/2445/228673
url https://hdl.handle.net/2445/228673
dc.language.none.fl_str_mv Catalán
language_invalid_str_mv Catalán
dc.relation.none.fl_str_mv Reproducció del document publicat a: https://doi.org/10.4000/catalonia.2314
Catalonia, 2016, num.18/1, p. 57-66
https://doi.org/10.4000/catalonia.2314
dc.rights.none.fl_str_mv (c) Aragonès Riu, Núria, 2016
info:eu-repo/semantics/openAccess
rights_invalid_str_mv (c) Aragonès Riu, Núria, 2016
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv 11 p.
application/pdf
dc.publisher.none.fl_str_mv Centre de recherches interdisciplinaires sur les mondes ibériques et contemporains (CRIMIC)
publisher.none.fl_str_mv Centre de recherches interdisciplinaires sur les mondes ibériques et contemporains (CRIMIC)
dc.source.none.fl_str_mv Articles publicats en revistes (Història de l'Art)
reponame:Recercat. Dipósit de la Recerca de Catalunya
instname:Varias* (Consorci de Biblioteques Universitáries de Catalunya, Centre de Serveis Científics i Acadèmics de Catalunya)
instname_str Varias* (Consorci de Biblioteques Universitáries de Catalunya, Centre de Serveis Científics i Acadèmics de Catalunya)
reponame_str Recercat. Dipósit de la Recerca de Catalunya
collection Recercat. Dipósit de la Recerca de Catalunya
repository.name.fl_str_mv
repository.mail.fl_str_mv
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score 15.81155

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