Emergencias cotidianas: Un proyecto artístico transmedia en torno a la precariedad
[EN] We live in precarious and uncertain times, as a consequence of the excesses of the global capitalist system. The future holds the prospect of dark times, marked by the threat of climate collapse. The accelerated process of digitalization, with its lights and shadows, entails radical changes in...
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| Tipo de recurso: | capítulo de libro |
| Fecha de publicación: | 2022 |
| País: | España |
| Institución: | Universitat Politècnica de València (UPV) |
| Repositorio: | RiuNet. Repositorio Institucional de la Universitat Politécnica de Valéncia |
| Idioma: | español |
| OAI Identifier: | oai:riunet.upv.es:10251/185895 |
| Acceso en línea: | https://riunet.upv.es/handle/10251/185895 |
| Access Level: | acceso abierto |
| Palabra clave: | Precariedad Sensorialidad Intermedia Environment Paseos colectivos Ensayo visual Precarity Sensoriality Intermedia art Collective walks Visual-essay |
| Sumario: | [EN] We live in precarious and uncertain times, as a consequence of the excesses of the global capitalist system. The future holds the prospect of dark times, marked by the threat of climate collapse. The accelerated process of digitalization, with its lights and shadows, entails radical changes in ways of life, work and social relations, as well as in multiple vital, socio-political, economic and cultural aspects. The pandemic has highlighted the fragility of life and the ecosystems that sustain it. The forced confinements interrupted inertias and forced to modify daily routines for a short time. It is proposed to review and retake, from the present, an artistic project started in 2018, which had the generic title [everyday emergencies]. Its main theme was precariousness, a common malaise in contemporary society, made invisible by its ubiquity. [ec] is a nomadic project, conceived as an open process, intermediate, moving through different media, adopting in each transit and displacement, diverse and complementary deployments. In this process, different precarious forms have been tested, as reflexive and experiential metaphors. A theoretical research work, a visual media archive study and several material experimentations were carried out. Two essential concepts linked to the invisibility of precariousness, transparency and opacity, were studied. The developments to date have been: several videos, a collective action-installation, an environment in a clandestine place, several individual and collective performative walks, a publication and a visual photo-essay. In the more performative and experiential experiences, the focus was on sensorial and relational aspects. In order to activate open and participatory processes, initial situations were designed and arranged. In the case of the development of graphic or audiovisual records, the approach was to explore possible autonomous narratives that would allow the generation of parallel and interdependent stories. |
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