Towards the intermedial study of authorial Latin American popular music
This article raises the possibility of studying authorial Latin American and Brazilian popular music of the late twentieth century as a great unity, due to the existence of networks, collaborations, circuits, and common influences. By authorial popular music we mean music in which the artist is awar...
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| Tipo de recurso: | artículo |
| Estado: | Versión publicada |
| Fecha de publicación: | 2022 |
| País: | Brasil |
| Institución: | Universidade Federal de Uberlândia (UFU) |
| Repositorio: | ArtCultura (Online) |
| Idioma: | portugués |
| OAI Identifier: | oai:ojs.www.seer.ufu.br:article/68252 |
| Acceso en línea: | https://seer.ufu.br/index.php/artcultura/article/view/68252 |
| Access Level: | acceso abierto |
| Palabra clave: | música popular autoralidad intermedia popular music authorship |
| Sumario: | This article raises the possibility of studying authorial Latin American and Brazilian popular music of the late twentieth century as a great unity, due to the existence of networks, collaborations, circuits, and common influences. By authorial popular music we mean music in which the artist is aware of and has control over the material in which he works, to the point of straining the very musical genre in which he operates. It is not about a single author but a multiple one, arising from the intermedial character of this music, formed by lyrics, music, vocality, and recording, to which are added video clip, cover art and associated discourses. This intermedia dialogues with the historical moment in which it unfolds, questioning the listener from its multiple materiality. |
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