Enter Ftatateeta: name symbolism in Bernard Shaw's Caesar and Cleopatra
This study explores the symbolism behind the name Ftatateeta, one of the characters in Bernard Shaw's Caesar and Cleopatra (1899). This character, one of Shaw's creations for the play, has a name that is both aurally salient and evocative of sartorial materials (i.e., tuftaffeta, t...
| Autores: | , |
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| Tipo de recurso: | artículo |
| Estado: | Versión aceptada para publicación |
| Fecha de publicación: | 2025 |
| País: | España |
| Institución: | Universidad Pública de Navarra |
| Repositorio: | Academica-e. Repositorio Institucional de la Universidad Pública de Navarra |
| OAI Identifier: | oai:academica-e.unavarra.es:2454/53881 |
| Acceso en línea: | https://hdl.handle.net/2454/53881 |
| Access Level: | acceso embargado |
| Palabra clave: | Bernard Shaw Caesar and Cleopatra Ftatateeta Name symbolism |
| Sumario: | This study explores the symbolism behind the name Ftatateeta, one of the characters in Bernard Shaw's Caesar and Cleopatra (1899). This character, one of Shaw's creations for the play, has a name that is both aurally salient and evocative of sartorial materials (i.e., tuftaffeta, taffeta). This symbolic name, in turn, goes hand in hand with the character's discourse and behaviour, as well as with her role as a stock character. |
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