La sindicació de les arts plàstiques a Catalunya durant la Guerra Civil (1936-1939). Institucions d’operacions ideològiques i polarització entre l’art d’avantguarda i el realisme
This thesis is focused on conceptions of the avant-garde and realism during the Spanish Civil War in Catalonia from two main mainstays: the conception of the nationalism implicit into the conflict itself, and the mandatory unionisation artists had to follow, from the summer of the 1936. The need of...
| Autor: | |
|---|---|
| Tipo de recurso: | tesis doctoral |
| Estado: | Versión publicada |
| Fecha de publicación: | 2019 |
| País: | España |
| Institución: | CBUC, CESCA |
| Repositorio: | TDR. Tesis Doctorales en Red |
| OAI Identifier: | oai:www.tdx.cat:10803/667199 |
| Acceso en línea: | http://hdl.handle.net/10803/667199 |
| Access Level: | acceso abierto |
| Palabra clave: | Art Realisme Realism Realismo Avant-garde Avantguarda Vanguardismo Realisme socialista Socialist realism Socialismo realista Nacionalisme Nationalism Nacionalismo Sindicalisme Sindicalismo Syndicalism 73 93 331 |
| Sumario: | This thesis is focused on conceptions of the avant-garde and realism during the Spanish Civil War in Catalonia from two main mainstays: the conception of the nationalism implicit into the conflict itself, and the mandatory unionisation artists had to follow, from the summer of the 1936. The need of alphabetizing the current civil society had was met by those two mainstays. How did them allow the artist to create from freedom? Since the widening of aesthetics in fields such as politics based on the dichotomy: committed art/ commitment of art, the position of the artist in front of realism, neo romanticism, "wided aesthetics", and the Avant-garde is analysed. In which way the political question is related with the anti-fascist Popular Front and the Spanish revolution is synchronized on the theoretical basis of realism and avant-garde? |
|---|