Romantic without borders
The work of Helen Maria Williams (1761-1827) was widely read by her contemporaries. However, compared to other writers of the same period, her texts have received less critical attention at the present time. She has essentially been regarded as an author of Sensibility in the last three decades of f...
| Autor: | |
|---|---|
| Tipo de recurso: | tesis de maestría |
| Fecha de publicación: | 2016 |
| País: | España |
| Institución: | Universitat Autònoma de Barcelona |
| Repositorio: | Dipòsit Digital de Documents de la UAB |
| Idioma: | inglés |
| OAI Identifier: | oai:ddd.uab.cat:167640 |
| Acceso en línea: | https://ddd.uab.cat/record/167640 |
| Access Level: | acceso abierto |
| Palabra clave: | Dones i literatura Escriptores angleses |
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Romantic without borderstracing emotional intensity in Helen Maria Williams' 'Julia' (1790) and 'A tour in Switzerland' (1798)Yurss Lasanta, Paula|||0000-0002-0516-7403Dones i literaturaEscriptores anglesesThe work of Helen Maria Williams (1761-1827) was widely read by her contemporaries. However, compared to other writers of the same period, her texts have received less critical attention at the present time. She has essentially been regarded as an author of Sensibility in the last three decades of feminist scholarship. Her Letters written in France (1790) record political events and commentary on the French Revolution and have placed Williams in a tradition of radical politics. This dissertation interrogates two of Williams' works that have received scant critical attention: her only novel Julia (1790) and her travelogue Tour in Switzerland (1798). I am interested in identifying the fluctuations in the representation of intense emotions, which I contend is a characteristic of Helen Maria Williams' style. For this purpose, I have focused on Williams' use of the feminine voice, especially in Julia, the description of the perception of nature, and the representation of the experience of the Sublime.Universitat Autònoma de Barcelona. Facultat de Filosofia i LletresFont Paz, Carme 22016-01-0120162016-01-01Treball de fi de postgrauhttp://purl.org/coar/resource_type/c_bdccVoRhttp://purl.org/coar/version/c_970fb48d4fbd8a85info:eu-repo/semantics/masterThesisapplication/pdfhttps://ddd.uab.cat/record/167640reponame:Dipòsit Digital de Documents de la UABinstname:Universitat Autònoma de BarcelonaInglésengopen accesshttp://purl.org/coar/access_right/c_abf2Aquest document està subjecte a una llicència d'ús Creative Commons. Es permet la reproducció total o parcial, la distribució, i la comunicació pública de l'obra, sempre que no sigui amb finalitats comercials, i sempre que es reconegui l'autoria de l'obra original. No es permet la creació d'obres derivades.https://creativecommons.org/licenses/by-nc-nd/4.0/info:eu-repo/semantics/openAccessoai:ddd.uab.cat:1676402026-06-06T12:50:31Z |
| dc.title.none.fl_str_mv |
Romantic without borders tracing emotional intensity in Helen Maria Williams' 'Julia' (1790) and 'A tour in Switzerland' (1798) |
| title |
Romantic without borders |
| spellingShingle |
Romantic without borders Yurss Lasanta, Paula|||0000-0002-0516-7403 Dones i literatura Escriptores angleses |
| title_short |
Romantic without borders |
| title_full |
Romantic without borders |
| title_fullStr |
Romantic without borders |
| title_full_unstemmed |
Romantic without borders |
| title_sort |
Romantic without borders |
| dc.creator.none.fl_str_mv |
Yurss Lasanta, Paula|||0000-0002-0516-7403 |
| author |
Yurss Lasanta, Paula|||0000-0002-0516-7403 |
| author_facet |
Yurss Lasanta, Paula|||0000-0002-0516-7403 |
| author_role |
author |
| dc.contributor.none.fl_str_mv |
Universitat Autònoma de Barcelona. Facultat de Filosofia i Lletres Font Paz, Carme |
| dc.subject.none.fl_str_mv |
Dones i literatura Escriptores angleses |
| topic |
Dones i literatura Escriptores angleses |
| description |
The work of Helen Maria Williams (1761-1827) was widely read by her contemporaries. However, compared to other writers of the same period, her texts have received less critical attention at the present time. She has essentially been regarded as an author of Sensibility in the last three decades of feminist scholarship. Her Letters written in France (1790) record political events and commentary on the French Revolution and have placed Williams in a tradition of radical politics. This dissertation interrogates two of Williams' works that have received scant critical attention: her only novel Julia (1790) and her travelogue Tour in Switzerland (1798). I am interested in identifying the fluctuations in the representation of intense emotions, which I contend is a characteristic of Helen Maria Williams' style. For this purpose, I have focused on Williams' use of the feminine voice, especially in Julia, the description of the perception of nature, and the representation of the experience of the Sublime. |
| publishDate |
2016 |
| dc.date.none.fl_str_mv |
2 2016-01-01 2016 2016-01-01 |
| dc.type.none.fl_str_mv |
Treball de fi de postgrau http://purl.org/coar/resource_type/c_bdcc VoR http://purl.org/coar/version/c_970fb48d4fbd8a85 |
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info:eu-repo/semantics/masterThesis |
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masterThesis |
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https://ddd.uab.cat/record/167640 |
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https://ddd.uab.cat/record/167640 |
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Inglés eng |
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Inglés |
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eng |
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open access http://purl.org/coar/access_right/c_abf2 https://creativecommons.org/licenses/by-nc-nd/4.0/ |
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info:eu-repo/semantics/openAccess |
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open access http://purl.org/coar/access_right/c_abf2 https://creativecommons.org/licenses/by-nc-nd/4.0/ |
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openAccess |
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application/pdf |
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reponame:Dipòsit Digital de Documents de la UAB instname:Universitat Autònoma de Barcelona |
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Universitat Autònoma de Barcelona |
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Dipòsit Digital de Documents de la UAB |
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Dipòsit Digital de Documents de la UAB |
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1869409972135133184 |
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15.300719 |