Del lienzo a la pantalla digital. La experiencia del museo en la era de la intermediación electrónica
[EN] Until the end of the last century, memory technologies were limited to the use of analog format as a medium for the preservation and transmission of the past. With the growing presence of digital media in the cultural sphere, memory management comes to rely on the treatment of numerical files a...
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| Tipo de recurso: | capítulo de libro |
| Fecha de publicación: | 2022 |
| País: | España |
| Institución: | Universitat Politècnica de València (UPV) |
| Repositorio: | RiuNet. Repositorio Institucional de la Universitat Politécnica de Valéncia |
| Idioma: | español |
| OAI Identifier: | oai:riunet.upv.es:10251/183385 |
| Acceso en línea: | https://riunet.upv.es/handle/10251/183385 |
| Access Level: | acceso abierto |
| Palabra clave: | Historia del arte Filosofía de la cultura Museos Patrimonio cultural Pantalla digital History of art Philosophy of culture Museums Cultural heritage Digital screen |
| Sumario: | [EN] Until the end of the last century, memory technologies were limited to the use of analog format as a medium for the preservation and transmission of the past. With the growing presence of digital media in the cultural sphere, memory management comes to rely on the treatment of numerical files and databases. In today's museums and cultural centers, the rapid development of technologies aimed at digitizing collections and mediating the contemporary viewer's experience in contact with historical and cultural heritage causes a resounding reconfiguration, both in current work practices and exhibition models. Among various types of digital devices for communication and interaction with the pucblic, the touch screen of mobile phones calls for the attention and demands the participation of the contemporary observer, at the same time it generates possibilities for contemplation and reflection on the content that transcend the materiality of the object. |
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