Asimilación japonesa de las ideas de “exposición” y “museo” en la era Meiji
The Western institutional system of “exhibition” and “museum” was introduced as part of the modern nation-state project in the Meiji era (1868-1912). However, news of museums began to arrive in Japan from the late Edo period, and there were local exhibition antecedents that served as the basis for t...
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| Tipo de recurso: | artículo |
| Estado: | Versión publicada |
| Fecha de publicación: | 2023 |
| País: | México |
| Institución: | UNIVERSIDAD NACIONAL AUTÓNOMA DE MÉXICO |
| Repositorio: | Anales del Instituto de Investigaciones Estéticas |
| Idioma: | español |
| OAI Identifier: | oai:ojs.atenea.esteticas.unam.mx:article/2828 |
| Acceso en línea: | https://www.analesiie.unam.mx/index.php/analesiie/article/view/2828 |
| Access Level: | acceso abierto |
| Palabra clave: | Museum cultural heritage Meiji museology Museo patrimonio cultural museología |
| Sumario: | The Western institutional system of “exhibition” and “museum” was introduced as part of the modern nation-state project in the Meiji era (1868-1912). However, news of museums began to arrive in Japan from the late Edo period, and there were local exhibition antecedents that served as the basis for the incorporation of a new way of exhibiting objects. The exhibition and museum policy of the early Meiji era was linked to the state slogans of “civilization” and “industrialization”. However, this policy was readjusted with the “imperialization” of the first museum, which led to the separation of “art” from the “integral museum”. This paper aims to clarify the circulation of the ideas of “museum” and its concept in the Meiji era, as well as to reflect on the problem of translation of this term and its implications today. |
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