Impromptu o la magia de la imagen cinematográfica celebrada en un musical animado
[EN] Impromptu (María Lorenzo, 2017) is an animated film shortlisted for the Goya Awards 2018. A Valencian production by Enrique Millán, despite its still brief tour by festivals, the short film had its Spanish premiere at the prestigious ALCINE - Alcalá de Henares Film Festival, it has accumulated...
| Autor: | |
|---|---|
| Tipo de recurso: | artículo |
| Fecha de publicación: | 2018 |
| País: | España |
| Institución: | Universitat Politècnica de València (UPV) |
| Repositorio: | RiuNet. Repositorio Institucional de la Universitat Politécnica de Valéncia |
| Idioma: | español |
| OAI Identifier: | oai:riunet.upv.es:10251/100149 |
| Acceso en línea: | https://riunet.upv.es/handle/10251/100149 |
| Access Level: | acceso abierto |
| Palabra clave: | Cortometraje Animación María Lorenzo Pre-cine Experimentación Short film Animation Precinema Experimentation |
| Sumario: | [EN] Impromptu (María Lorenzo, 2017) is an animated film shortlisted for the Goya Awards 2018. A Valencian production by Enrique Millán, despite its still brief tour by festivals, the short film had its Spanish premiere at the prestigious ALCINE - Alcalá de Henares Film Festival, it has accumulated numerous international selections, and it has won the award for Best Artistic Animation at the 1st Expression Art Movie Festival in Los Angeles (USA). But Impromptu is, above all, a love letter to the origin of cinema, drawn by hand. Its traditional animation labour, the difficulty sought in the execution of the work and the issues addressed make Impromptu as personal as counterflow piece. The beauty and power of this brief, but mighty work, synchronized with Chopin's music, are the authorial marks by María Lorenzo: it reunites the use of the piano as a fetish instrument of the musicalization of her productions, the presence of flowers, of the waves and the portraits by which it shows a certain predilection. |
|---|