La recuperación de la tradición en los mosaicos del Centro Aletti: La presencia de los Padres de la Iglesia en las reinterpretaciones de las figuras de Noé y Lázaro
In the Centro Aletti’s mosaic programs, writings of the Church Fathers and other documents of the East and West Christian tradition form a unit, together with some theological researches of the 19th and 20th century. The close relationship between word and image is recovered from other artistic peri...
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| Tipo de recurso: | artículo |
| Fecha de publicación: | 2020 |
| País: | España |
| Institución: | Universidad de Navarra |
| Repositorio: | Dadun. Depósito Académico Digital de la Universidad de Navarra |
| Idioma: | español |
| OAI Identifier: | oai:dadun.unav.edu:10171/61741 |
| Acceso en línea: | https://hdl.handle.net/10171/61741 |
| Access Level: | acceso abierto |
| Palabra clave: | Marko Ivan Rupnik Centro Aletti Arte litúrgico |
| Sumario: | In the Centro Aletti’s mosaic programs, writings of the Church Fathers and other documents of the East and West Christian tradition form a unit, together with some theological researches of the 19th and 20th century. The close relationship between word and image is recovered from other artistic periods, such as Early Christian Art. The objective of this article is to analyze in depth the influence of Patristics and Early Christian iconography on the configuration of the Centro Aletti’s mosaics, particularly in the reinterpretation of the figures of Noah and Lazarus. These representations underline the story of salvation, reflected in Rupnik’s works as the director of the Centro Aletti. |
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